We send you legitimate publishing opportunities, plus we show you how to gain readers, win over editors, and build a long-term writing career. Completely free in our email magazine.
We send you legitimate publishing opportunities, plus we show you how to gain readers, win over editors, and build a long-term writing career. Completely free in our email magazine.
Guppy Books is a respected publisher of children’s fiction. Founded in 2019 by Bella Pearson, the books they have published have been finalists and winners of a number of awards. They also have excellent distribution. You can learn more about the company and their track record, here. They are based in the UK, and generally…
These literary magazines and outlets publish hybrid, experimental, and/or cross-genre writing. They accept other genres also, like fiction, nonfiction, poetry, and translations. Some of the magazines pay writers. Many, but not all, of them are open for submissions now. Harpy Hybrid ReviewTheir guidelines say, “Harpy Hybrid Review (HHR) exists to celebrate and showcase hybrid works in all their…
Saqi Books was founded in London in 1983. The roots of Saqi Books are in Lebanon and they focus on publishing trade and academic books on the Middle East and North Africa written by authors based all around the world. They publish around twenty titles a year. They have been awarded the British Book Industry…
Biteback Publishing is based in London, England, and is focused on publishing work on political and current affairs titles. They also publish history, memoir, espionage, sport and general nonfiction, and they do not publish fiction of any kind. You can get a good feel for what they are currently publishing by seeing their new releases…
The motto for Redleaf Press is “Exceptional Resources for Early Childhood Professionals”. Established in 1973, they are a nonprofit publisher of curriculum, management, and business resources for early childhood professionals. They are not interested in any work outside of the context of their focus. They are a division of Think Small, a nonprofit organization. Proceeds…
This small press publishes literary fiction, nonfiction, poetry, and work in translation, at the rate of about one to two books per year. They state: “Our mission is to be a home for rigorous, weird, beautiful books—and their readers. These books are imperiled by the stratification and commercialization of publishing. Against the grain of the…
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Writers should be supported –– not charged money for the chance to get published.
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Our lecture series includes talks from bestselling novelists, poets, and industry professionals.
Learn how to revise your draft for clear storytelling, so you can fix plot holes, remove filler, and tighten the story structure and pacing
Harness the power of emotion to create unforgettable characters, gripping plots, and deep connections with your audience.
How to make your characters utterly captivating for readers and publishers.
Starting a writing project is exciting. You're fueled by a curiosity for the story and its characters. But once the excitement wears off, how will you get to the end—the finished final draft?imple 3-
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Our courses feature in-depth curriculums and extensive personal feedback on your writing. Our instructors are highly accomplished, and care deeply for all of their students.
View Available CoursesElla Peary is a masterful instructor. I learned so much about the genre of flash fiction from her and find it one of the best avenues now for my fiction writing. Ella's course is clear, concise and provides many options and prompts to try your hand at writing short, powerful pieces. This course has also helped my fiction writing overall, be it short story or poetry. Her "office hours" are also helpful, with live question and answer periods and reviews of stories. I highly recommend this workshop.
Emily Colin's Plot to Publication was a wealth of information on how to build and strengthen a YA novel and how to get it out into the world. Emily has a clear and welcoming instructional style, and she provides extremely detailed and helpful feedback on assignments. This is truly one of the best writing classes I've taken, and I highly recommend it to writers of all levels.
This course helped to demystify the landscape of literary journals and submission process. The instructor's feedback was immensely helpful; I feel much more confident submitting my work. The online forum is learner-centered, interactive, clear, and useful. There are opportunities to connect with others online; I've made a partnership with another writer in the course to exchange reading and feedback on an ongoing basis with one other. Thank you for this wonderful and pragmatic course!
Manuscript Publishing for Novelists provided an excellent overview of what is involved in this process. The organization of the course followed each step of the process from proper formatting of the manuscript, to preparing a query letter, to vetting a publisher and agent, and to reviewing a checklist before submitting the manuscript. Along the way, during each segment of the course, there were helpful recommendations of what to do and not to do. Emily is not only an expert in this field, but also a genuine person. Every aspect of the course was conducted in a professional manner, and I would recommend Manuscript Publishing for Novelists to anyone interested in publishing their first novel.
I am so thankful that I was able to take part in the Novel Writing Workshop with Emily Harstone. Emily was incredibly supportive and affirming of my efforts in writing. Prior to the start of the course I just had a few disjointed ideas, but her thoughtful assignments pushed me to think them through and turn them into the first chapter of my novel, and her detailed and thorough feedback gave me the direction and encouragement I needed to continue writing. I'm now 12000 words into my first novel and still going strong, all thanks to Emily. She is wonderful. Thank you so much!
Emily Colin is a hard-working instructor. Instead of skimming through my work, she would dissect it bit by bit and ask me questions that I haven't been asked before. It helped me to look at my story from a different perspective. Since she concentrated on this being a YA story instead of a romance, she gave me feedback to make my story work for the YA market. I am really glad I took this course.
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