Special Feature

Writing Effective Flashbacks: Seamlessly Integrating Backstory

By Sabyasachi Roy Flashbacks can be one of the greatest storytelling tools. But there is a catch (there always is, isn’t there). A flashback, as a misused literary tool, is one of the easiest ways to completely wreck a narrative. See, you have to use it well to add depth, emotion, and intrigue. If you…
Issue Six Hundred Twenty One Special Feature

Lessons From a Writer and Her Rejections

By Melissa Witcher With over 100 literary magazine rejections in the past two years, I am quite familiar with being not quite the right fit. I’ve always been a misfit so it makes sense that my writing career would follow suit. Many famous people, quite successful, have written about rejection in poetic and useful ways….
Issue Six Hundred Twenty Special Feature

5 Paying Literary Magazines to Submit to in April 2025

These magazines pay for fiction, nonfiction, and poetry. They’re a mix of literary and genre magazines. Not all are open through the month. CutleafThis is the journal of EastOver Press. They are open now for literary fiction (including excerpts) and nonfiction. Poetry is closed.Deadline: 15 April 2025 for fiction and nonfictionLength: Up to 4,000 words…
Issue Six Hundred Nineteen Special Feature

How to Play The Subtext Game with Your Dialogue

By Sabyasachi Roy Writing dialogue can feel like a balancing act. If you use too much, you run the risk of overloading the reader. Too little leaves them perplexed. Finding the sweet spot where something magical occurs is difficult, and frequently it all comes down to what you choose not to say. Subtext—those delicious layers…
Issue Six Hundred Nineteen Special Feature

Brewing the First Line of a Poem: Starting Strong with Memorable Openings

By Sabyasachi Roy Brewing the first line of a poem is like pouring the perfect pint—too flat, and no one sticks around; too much foam, and it’s all fluff. But nail it? A friend of mine was called the Yeats of happy hour, for he could pour the perfect pint. The same goes for making…
Issue Six Hundred Fifteen Special Feature

3 Simple Ways to Increase Your Word Count and Finish Your Book

By Delaney Diamond I’m a full-time romance author, and I can tell you that writing full-time means I regularly generate story ideas. So many ideas, in fact, that I have a file where I list them and drop notes for future books. Though I’m excited by many of those stories and can usually get started…
Issue Six Hundred Fourteen Special Feature

Navigating Revision and Editing Without Losing Your Voice

By Sabyasachi Roy Imagine you are writing a draft. Putting your thoughts out into the world. Raw and unfiltered—a little messy, slightly little chaotic, but undeniably yours. Now comes editing, and this is where the real magic happens. Or, let’s be honest, this is where your manuscript risks turning into a lifeless, over-polished chore. How…
Issue Six Hundred Thirteen Special Feature

An Argument for Short Stories

“Write a short story every week. It’s not possible to write 52 bad short stories in a row.’ — Ray Bradbury “A good [short story] would take me out of myself and then stuff me back in, outsized, now, and uneasy with the fit.” -David Sedaris Writers who are serious about improving and developing their…
Issue Six Hundred Twelve Special Feature

Building a Writing Career from Small Wins

By Sabyasachi Roy Writing careers are not made overnight. Almost no one starts by landing a book deal with Random House or, for that matter, scoring a column in The New York Times. It is about piecing together a mosaic of small wins. Most successful writers had to follow this labored path — tiny, unimpressive…
Issue Six Hundred Eleven Special Feature

Writing in the Age of Short Attention Spans: Crafting Stories that Stick

By Sabyasachi Roy Let’s start with the elephant in the room, a.k.a. to the point: people don’t have the patience for long-winded setups anymore. Like it or not, we are in the middle of a world of endless swipes, dings, and dopamine hits. This presents a high-stakes challenge, especially for writers, how do you keep…
Issue Five Hundred Sixty Nine Issue Six Hundred Nine Special Feature

5 Paying Literary Magazines to Submit to in January 2025

These magazines accept fiction, nonfiction, and poetry. They’re a mix of literary and genre magazines. Not all are open for submissions through the month. Three-Lobed Burning EyeThis magazine publishes horror, fantasy, and science fiction. “We’re looking for short stories from across the big classifications and those shadowy places between: magical realism, fantastique, slipstream, interstitial, Weird…
Issue Six Hundred Six Paying Market Special Feature

Overcoming the Loneliness of Being a Writer

By Emily-Jane Hills Orford Loneliness is something that can affect anyone, anywhere. You could be in a crowded room and still feel the overwhelming weight of loneliness. There are some jobs that make loneliness a handicap and, yes, writing is one of those jobs. It’s a very lonely occupation. In fact, writing as an occupation…
Issue Six Hundred Special Feature

“Are You a Good Writer?”

By Jessi Waugh We sat together at a bistro table in a one-hundred-year-old building, during the monthly writer meet-up. It was intermission time – an opportunity to order wine, socialize, or run away before the prompt writing and critiques began. Sensing her imminent escape, I struck up a conversation with the woman across from me….
Issue Five Hundred Ninety Nine Special Feature

What I Wish I Knew Before I Signed My First Book Deal

By Patricia Westerhof Before I sent out my first book-length manuscript for publication, I’d spent a total of two days learning about the publishing industry. Pretty much everything I knew came from a weekend workshop: a beginner’s guide to getting published, taught by the former president/publisher at Penguin Canada. I followed the steps she suggested,…
Issue Five Hundred Ninety Seven Special Feature

Why I Stopped Tracking My Daily Word Count

Ratika Deshpande I previously wrote here about the benefits of maintaining a writing log and setting concrete goals, such as finishing first drafts or writing 500 words every day. Word counts have always been an integral part of my writing process; reaching the daily goal gave me something to work towards. However, for the past…
Issue Five Hundred Ninety Six Special Feature Special Issue

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