Special Feature

Plot Holes? I Prefer to Call Them “Opportunities for Interpretation”

By Sabyasachi Roy This article can come with an alternate title, Gaslighting Yourself into Believing Your Book Makes Perfect Sense. This is not without a rational outing. You spent years hammering out your novel, agonizing over every plot twist, ensuring airtight logic. And then some smug reader points out that your main character, locked in…
Issue Six Hundred Thirty One Special Feature

10 Magazines and Anthologies Publishing Humor

These websites / magazines and anthologies accept humor. They can be in the form of humorous lists or letters, articles or jokes, or a funny bent in stories. Some of them pay writers. Where possible, please read the publication to get a sense of the work they’re looking for. Thin Air MagazineThe magazine is published…
Issue Six Hundred Thirty Special Feature

4 Unique Writing Habits of Famous Writers

By Isha Jain As someone who wants to improve my craft, I often read about the writing advice and habits of accomplished writers. Over the years, I have come across many quirky habits that have helped some famous writers. Like Dan Brown, who wears gravity boots and hangs upside down from a frame to clear…
Issue Six Hundred Thirty Special Feature

Why You Should Question Your Writing Goals

Ratika Deshpande       When I first found my calling as a writer, I imagined myself writing novels. A couple of years later, I thought I’d write collections of short stories. Today, I mostly write articles and essays, although I’m again entertaining the idea of publishing books. I’ll probably have a different writing goal in a…
Issue Six Hundred Twenty Nine Special Feature

Unusual Writing Formats: When Your Story Demands Footnotes, Letters, or a Series of Haikus

By Sabyasachi Roy A few years ago, I decided to write a short story for a competition. It started as a simple tale of a man trying to return a library book, but somewhere along the way, my brain decided, “Hey, what if the story was told entirely through increasingly absurd footnotes?” What began as…
Issue Six Hundred Twenty Seven Special Feature

Case Study: How The Coat Check Girl Came to Life

By Laura Buchwald I began writing The Coat Check Girl many years ago, without knowledge of what the path to publication entailed or whether that was even my goal. I’d been a writer since I learned to hold a pencil and had dabbled in short fiction. The idea for a longform project came to me…
Case Studies Issue Six Hundred Twenty Six Special Feature

How to Get Back Into Writing

Ratika Deshpande Last year, while I wrote a lot, I also went through long phases where I couldn’t find the time to write, or didn’t feel like writing, until the state of not-having-written became too much to bear. When I did sit down to write, I couldn’t. The built-up frustration of the time away from my…
Issue Six Hundred Twenty Five Special Feature

Writing Advice I Ignore But Still Pretend to Follow

By Sabyasachi Roy Writing advice, ah. So full of wisdom. So universally agreed upon. So… annoying. Don’t get me wrong—I respect the craft. I admire the dedication. But some of the so-called golden rules of writing? Yeah, I nod along, then go home and do the exact opposite. And somehow, miraculously, the universe does not…
Issue Six Hundred Twenty Four Special Feature

Am I A Writer or Just a Person Who Owns Too Many Notebooks?

By Sabyasachi Roy At what point does an obsession with buying notebooks become a cry for help? Because if owning stacks of untouched Moleskines made you a writer, my bookshelf alone would have penned a Pulitzer by now. And yet, here I am, staring at another blank page, wondering if I actually write or just…
Issue Six Hundred Twenty Three Special Feature

10 Magazines Accepting Authors Interviews

These magazines publish various types of author interviews. They accept either pitches or direct submissions. They’re a mix of literary and genre magazines. All of them also accept other genres, like fiction, creative nonfiction, and/or poetry. As always, please read the relevant section in the magazine to get a sense of the kind of work…
Issue Six Hundred Twenty Two Special Feature

How Six Scribes Made Me a Better Writer

By Alice J. Wisler Even though I was happy to see the notice on the library bulletin board, I didn’t realize how much it would contribute to my writing success. Someone wanted to know if others in our area were interested in forming a writers’ group. I jotted down the number to call. Weeks later,…
Issue Six Hundred Twenty Two Special Feature

Writing Effective Flashbacks: Seamlessly Integrating Backstory

By Sabyasachi Roy Flashbacks can be one of the greatest storytelling tools. But there is a catch (there always is, isn’t there). A flashback, as a misused literary tool, is one of the easiest ways to completely wreck a narrative. See, you have to use it well to add depth, emotion, and intrigue. If you…
Issue Six Hundred Twenty One Special Feature

Lessons From a Writer and Her Rejections

By Melissa Witcher With over 100 literary magazine rejections in the past two years, I am quite familiar with being not quite the right fit. I’ve always been a misfit so it makes sense that my writing career would follow suit. Many famous people, quite successful, have written about rejection in poetic and useful ways….
Issue Six Hundred Twenty Special Feature

5 Paying Literary Magazines to Submit to in April 2025

These magazines pay for fiction, nonfiction, and poetry. They’re a mix of literary and genre magazines. Not all are open through the month. CutleafThis is the journal of EastOver Press. They are open now for literary fiction (including excerpts) and nonfiction. Poetry is closed.Deadline: 15 April 2025 for fiction and nonfictionLength: Up to 4,000 words…
Issue Six Hundred Nineteen Special Feature

How to Play The Subtext Game with Your Dialogue

By Sabyasachi Roy Writing dialogue can feel like a balancing act. If you use too much, you run the risk of overloading the reader. Too little leaves them perplexed. Finding the sweet spot where something magical occurs is difficult, and frequently it all comes down to what you choose not to say. Subtext—those delicious layers…
Issue Six Hundred Nineteen Special Feature

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