These are themed calls and contests for fiction, nonfiction, and poetry. Some of the call themes are: seaside gothic; Halloween; black cats; false memories; madame, don’t forget your sword; mafia horror; mystery stories; cowboy up; demagogues; ghost stories; pirate horror; holidays as a parent.
THEMED CALLS
Sans. Press: The Garden Anthology
They want fiction. “In the brightness of snow or in the rich colours of an orchard, the world is blooming with tales to be told and life to be lived. There is deep pleasure, sensual wonder – but also horrors untold, and their roots might’ve grown tangled in the same patch of grass. For our eighth anthology, we want the stories that pick the fruit and take a daring bite; we want to watch the stains the juice leaves behind as it drips. We want to unpick the weaved tapestry of all that builds a garden – colours, taste, the senses, life, death, regrowth; the flowers and the bugs.
The Garden is an anthology for stories that engage with the living world in all its glory and messiness. From blossom to decay, stories can interpret the premise in any way; be as metaphorical or literal as you wish – just don’t be afraid to get a little dirt under your fingernails.” They want stories in any genre inspired by the title, The Garden, and the cover artwork (see their website). Please note, they will close submissions earlier than the deadline if they hit their submission cap.
Deadline: 2 July 2024, or until filled
Length: Up to 5,000 words
Pay: €175
Details here.
(Apart from anthologies, Sans.Press also opens submissions periodically for their other project, The Archive, where they accept “fresh & weird” stories. Submissions for this project are currently closed.)
Seaside Gothic
This UK-based magazine publishes art, fiction, poetry, and nonfiction that meet the criteria of seaside gothic literature (it is led by emotion, not reason, exploring the human experience mentally and spiritually as well as physically; It addresses duality—land and sea, love and hate, the beautiful and the grotesque; It connects to the edge, living on the seaside either literally or figuratively, and has one foot in the water and the other on solid ground).
Reading period: 8-14 July 2024
Length: Up to 1,000 words
Pay: £0.01/word
Details here.
Calendar of Fools: Intergalactic Rejects
This is a fiction anthology. They want “speculative short stories (science fiction, fantasy, dark fantasy, cosmic horror, etc.) that have been rejected from multiple markets.” Please note, the story you submit should have been rejected at least three times.
Deadline: 12 July 2024
Length: Up to 5,000 words
Pay: $0.08/word
Details here.
Spooky: Halloween
This cozy horror magazine is reading on the Halloween theme, as well as unthemed horror submissions. They have detailed guidelines about the kind of stories they want, including, “Cozy horror. Fun horror. Classy horror. Dare we say, wholesome horror? … perhaps the easiest way to understand what we mean is to read stories by some of the old masters we love: Ray Bradbury, Charles Beaumont, Richard Matheson, Robert Bloch, Roald Dahl. Watch classic episodes of Thriller, The Twilight Zone, and Night Gallery. Read old horror comics. Listen to radio dramas like Suspense, Quiet, Please, and Inner Sanctum Mysteries. … In short, we’re looking to provide a space for a type of storytelling that has largely gone out of style – dark and scary, but playful and approachable with an emphasis on plot.” They also want horror haiku.
Deadline: 13 July 2024
Length: Up to 5,000 words (prefer 2,500-3,000 words) for fiction
Pay: $0.01/word
Details here and here.
(Submissions are also open for PseudoPod, an online and audio horror fiction magazine from the Escape Artists suite of magazines – they want reprints only, of horror stories that have been/will be published in 2024. They pay. The deadline is 31 July 2024. Details here, here, and here.)
Black Cat Publishing: Black Cat Tales
This is a fiction and poetry anthology. “A black cat approaches, do you eagerly cross its path, or run in the opposite direction? From the superstitious to the unlucky, from a witch’s familiar to a soul stealing grave robber, black cats have captured our imagination and remain solidly in the realm of the dark. Dazzle us with your best black cat story or poem. A black cat or a clowder of black cats must be featured predominantly in your story and not simply set decoration.” Regarding genre, they say, “horror, dark fantasy, sci-fi, erotica, weird westerns, cyberpunk, steampunk…we’re open to all but prefer dark fiction.”
Deadline: 15 July 2024
Length: 500 – 3,500 words for story, max 25 lines for poetry
Pay: $50 for fiction, $25 for poetry
Details here.
Escape Artists: Cast of Wonders – Young Writers Issue
Cast of Wonders is a Young Adult podcast and online speculative fiction (fantasy, science fiction, horror) magazine, and they’ll open mid-month for submissions for their young writers issue, when they will only accept submissions from young writers. They also accept reprints and translations. Their submission portal will open for fiction during the reading period. They have detailed guidelines, please read them carefully.
Reading period: 15-31 July 2024 (see their schedule here)
Length: Up to 6,000 words
Pay: $0.08/word for original fiction
Details here and here.
Essential Dreams Press: Storyteller: A Tanith Lee Tribute Anthology
This fiction anthology will open around mid-month for submissions, and has two submission windows; one for underrepresented writers, and another for all writers. “STORYTELLER: A Tanith Lee Tribute Anthology is a celebration of Lee’s influence in speculative fiction. Not only did Tanith Lee write nearly 90 novels, but she also wrote hundreds of short stories in and across a wide range of genres including fairy tales, science fiction, horror, fantasy, erotica, gothic, historical fiction, and the weird. Her work has inspired generations of writers and has influenced some of the greatest authors working in speculative fiction today.” And, “STORYTELLER is seeking original, unpublished stories under the umbrella of genre, including but not limited to science fiction, fantasy, horror, YA, romance, and any of their many subgenres. … As part of their submission, you will be required to provide two short statements: 1) how Tanith Lee inspired or influenced your own writing practice and 2) why you submitted this particular story for our Tanith Lee tribute anthology i.e., what makes it a perfect fit.” They have two reading periods; call #1, July 16-22, is open to underrepresented writers only; “We will only be accepting stories from underrepresented and historically marginalized voices including BIPOC, LGBTQAI+, disabled, and neurodiverse writers.”; and call #2, during July 23-29 2024, will be open to all writers.
Reading periods: See above
Length: 2,000-5,000 words
Pay: $0.10/word
Details here.
Dead Fish Books: Madame, Don’t Forget Your Sword
This is a fiction anthology. “This anthology is dedicated to all the minions, sidekicks, and henchpeople: the ones responsible for getting the takeout, picking up the kids, and making sure that the evil plan actually works. The ones dedicated to showing how the monster works before the hero comes to save the day! Give them their spotlight: What drama happens when you work HR for a mad scientist? What happens if the sidekicks unionize? What if the red shirts accidentally don’t die?”
Deadline: 30 July 2024
Length: 2,000-6,000 words
Pay: $5 + royalties
Details here.
Obsidian Butterfly: Atlas of the Deep Ones
This is a fiction, nonfiction, and poetry anthology. “The stories we are looking for are all about Deep Ones–H.P. Lovecraft’s creations as seen in “Shadow Over Innsmouth.” … We want stories that are truly about Deep Ones: Deep One pirates willing to raid some truly unusual ships, beach bums sharing a smoke with a new friend. How do you handle the call to the sea when you live in Kansas? How did encounters with Romans, Vikings, and rum runners play out? Maybe they were the Sea People leading to the Bronze Age Collapse. Did they sink the White Ship that messed up English Royal succession? Or what or a more distant, perhaps primordial past? The “non-fiction” should be articles about aspects of Deep One culture, biology, history and everything in-between.
Nothing from New England (Innsmouth) or South Pacific seas unless you give us a time period we haven’t seen before. Dive deep and grasp the Weird.”
Deadline: 30 July 2024
Length: 500-6,000 words for fiction, 500-1,000 words for nonfiction, up to 2 pages for poetry
Pay: $25 for fiction, $15 for nonfiction and poetry
Details here.
Zoetic Press: Non-Binary Review – False Memories
They want poetry, fiction, essays, translations, and art. They’re reading on the False Memories theme. Please remember, they accept submissions until a cap is reached, or the deadline, whichever comes first. All submissions must have a clear relationship to the theme. Apart from the theme, they are also accepting submissions for Dear Horace Greely and Heartbeats: Visual Verse sections; they also offer feedback to 4 POC poets every month. On the False Memories theme, they say, “False memories first came to public consciousness in the 1980s when a group of pre-schoolers at a California preschool were coached by well-meaning social workers and police investigators into “remembering” Satanic abuse that never happened. The fallout from that episode wasn’t just the persecution of an innocent family, but a nationwide mass delusion now known as “the Satanic Panic,” where authorities were warning the public about supposed widespread satanic cults committing heinous acts of abuse. Not a single one of these warnings were founded in fact, and it is now known that a large number of them were propaganda. But false memories aren’t always bad. There is a common phenomenon wherein people hear stories of their early childhoods so often that those stories turn into “memories.” It is common in dreams to have “memories” of things that happened to the dream self, but not to the real self. Or a person might believe that they took their regular medication, brought in the garbage bins, or picked up the mail when they haven’t. We’re looking for weird and wonderful stories of not just the memories themselves, but of their production, their repercussions, their wider meanings. We’re looking for false memories that might have changed history, that led to remarkable discoveries, that impacted lives.” They do not want works on recovered memory. They would also like to avoid stories centering abuse, trauma, and violence.
Deadline: 31 July 2024, or until filled
Length: Up to 3,000 words for prose; up to 3 pages for poetry
Pay: $0.01/word for prose, $10 for poetry
Details here and here.
(They’re also accepting submissions for the Ritual theme with a later deadline, and for other sections for which there is no deadline – see their Submittable for details.)
October Nights Press: GabaGhoul – A Mafia Horror Anthology
This is a fiction anthology. “This anthology will merge the thrills and chills of horror with the dark underworld and dealings of the mafia. A hitman haunted by past contracts? A boss who dabbles in the dark arts? A ghastly horror lurking in the shadows that chills the most hardened capo to the bone? There are so many themes to explore and organized crime groups from around the world. We are accepting stories from all horror sub-genres. Slow burn, splatter, erotica, extreme, etc are all welcomed so long as they marry horror with the mafia.” Stories should be at least 3,000 words, and payment is capped at 5,000 words. Please see their note about contributor copies to international writers.
Deadline: 31 July 2024
Length: See above
Pay: $0.03/word
Details here.
Bannister Press: Other – the 2024 fantasy short story anthology
Bannister Press specializes in supernatural and fantasy stories loved by adults and young adults. For this fiction anthology, they only want submissions from writers who identify as women. “We are seeking international short story submissions by writers who identify as women for an anthology with a focus on what it means to be on the outside looking in, or comfortably or uncomfortably out of step with the world(s) at large, and with a fantasy element (either subtle or writ large). The story can be visually focused, or character/narrative focused, as long as it leaves the reader thinking about the story long after closing the book. We don’t want a lesson, we want an experience that makes us come alive. Humour is fine as long as it’s not about the mic drop.”
Deadline: 31 July 2024 (extended)
Length: Up to 3,500 words
Pay: $0.08/word
Details here.
Black Beacon Books: The Third Black Beacon Book of Mystery
This is a fiction anthology, the third in the series. “The idea of this anthology series is to make each volume more gripping, more memorable, and more mysterious than the last. We’re looking for short stories with an unforgettable protagonist and a clever puzzle to solve.” They will also accept reprints for this anthology.
Deadline: 31 July 2024
Length: 3,000-9,000 words
Pay: $25 for original stories
Details here (scroll down) and here.
(They’re also open for submissions on the Steampunk Sleuths theme; that anthology has a later deadline.)
WolfSinger Publications: Cowboy Up
This is a fiction anthology; they want stories around the Rodeo. “They can be in any genre as long as the sport of Rodeo is a key part of the story. Stories must revolve around the sport, the riders or the animal athletes involved in Rodeo and while being realistic to the sport must also portray it in a favorable light. We do hope to receive stories that cover all of the events in Rodeo: Bareback Riding, Saddle Bronc Riding, Bull Riding, Tie-Down Roping, Steer Wresting, Team Roping, Steer Roping, Barrel Racing and Ladies Breakaway Roping. Stories can also feature Bull Fighters, Barrel Men, Pick Up Men, the medical teams (human and veterinarian) – or anyone involved in the sport. … Break the story-writing rules if you want. If you use a tried-and-true plotline, twist it in an original and interesting way. Original stories are preferred. Query for reprints.” And, 75% of all proceeds from this anthology will be donated to an organization that provides help to injured riders and their families.
Deadline: 31 July 2024
Length: Up to 7,500 words
Pay: $20
Details here.
Mysterion: Christian speculative fiction
They want science fiction, fantasy and horror stories that engage meaningfully with Christian themes, characters or cosmology. The stories need not teach a moral, or be close to an approved theological position, or be pro-Christian. They are especially interested in stories that show Christians from cultures beyond those of the United States, Canada, and Western Europe. They also accept translations and reprints. They have two annual reading periods for fiction, January and July.
Deadline: 31 July 2024
Length: Up to 9,000 words
Pay: $0.08/word
Details here.
FIYAH: Spacefaring Aunties
FIYAH is a speculative fiction magazine that only takes submissions from Black people of the African Diaspora. They want submissions on the ‘Spacefaring Aunties’ theme. “It’s time to explore the adventures of bold, fearless women who defy societal expectations and embark on daring space voyages. From thrilling space operas to quiet character studies, we want to see Aunties who are scientists, engineers, pilots, and leaders guiding their crews through uncharted territory. What Kerine is looking for:
Women-led stories, not as sidekicks but fleshed-out protagonists.
SHOW how cool these Aunties are through their actions. Quiet moments on a spaceship are good, but make enough tension to highlight the bravery of these women.
A wide spectrum of women- queer, disabled, etc. – without feeding into the “Strong Black Woman ™” tropes that often dehumanize and stifle characters.” They also want speculative poetry.
Deadline: 31 July 2024
Length: 2,000-7,000 words for short stories and novelettes up to 15,000 words; up to 1,000 words for poetry
Pay: $0.08/word for fiction, $50 for poetry
Details here.
New Myths: The Janus Gates
New Myths publishes speculative fiction of every kind, and they like each issue to have a balance of works: science fiction and fantasy, dark and light, serious and humorous, hard and soft science fiction, and longer and shorter works. They also publish reviews. They’re also reading submissions for ‘The Janus Gates’ anthology. “Besides looking back into the past and forward into the future, Janus was also the original gatekeeper, the first god to open the portal between gods and men, the god who guarded every new beginning and ending, every transformation, the god you prayed to every morning before you could speak to any other. A Roman peasant stepping through the Janus Gate in Rome in the spring was transformed into a soldier marching off to conquer the world. The Roman soldier stepping out of the Janus Gate in the fall became the peaceful farmer again.
Who better to inspire our next NewMyths anthology centering around portals, thresholds, transformations–the future and past worlds of our dreams and myths?” Their reading periods are January-February and June-July.
Deadline: 31 July 2024
Length: Up to 10,000 words
Pay: $0.03/word
Details here, here (scroll down to ‘Anthology News’), and here.
Flash Frog
They want flash fiction of up to 1,000 words that is “Small. Brightly Colored. Deadly to the Touch.” They accept general submissions year-round, with some exceptions. In July, they will accept ghost story submissions only.
Deadline: 31 July 2024 for ghost story submissions
Length: Up to 1,000 words
Pay: $25
Details here.
Solarpunk Magazine
This is a magazine of solarpunk fiction. The magazine “publishes hopeful short stories and poetry that strive for a utopian ideal, that are set in futures where communities are optimistically struggling to solve or adapt to climate change, to create or maintain a world in which humanity, technology, and nature coexist in harmony rather than in conflict. We also publish solarpunk art as well as nonfiction that explores real world, contemporary topics and their intersection with the solarpunk movement for a better future.” Also, “Any genre of science fiction, interstitial fiction, magic realism, or fantasy has potential as a solarpunk forum—we welcome robots and elves with equal excitement.” The kind of work they want is described on their Moksha submission page, as well as the guidelines page. Also, “In 2024, we are particularly looking for stories between 1,500 and 3,000 words. While our word limit remains 7,500, stories that fall between 1,500 and 3,000 will have a better chance of being selected for at least the first few submission periods in 2024.” Nonfiction is open on an ongoing basis. All the 2024 fiction submission periods are listed on their website.
Deadline: 14 July 2024 for fiction
Length: See above
Pay: $0.08/word for fiction; $40/poem; $75/essay or article
Details here (guidelines) and here (Moksha submission portal).
The Last Girls Club: Demagogues
This is a feminist horror magazine. Their upcoming theme is ‘Demagogues’. “Demagogue is defined as a political leader who seeks support by appealing to the desires and prejudices of ordinary people rather than by using a rational argument. Some synonyms for a demagogue are fanatic, fomenter, hothead, incendiary, inciter, instigator, politician, rabble-rouser, radical, rebel, revolutionary, troublemaker. It’s an election year in the US. Things are promising to get weird and/or violent. The rest of the world looks like their having the same fight coming to their doors.” They accept fiction and poetry submissions, and nonfiction pitches.
Deadline: 1 August 2024, or until filled
Length: Up to 2,500 words for fiction, up to 3 poems
Pay: $0.015/word for fiction, $10 for poetry
Details here and here.
DarkLit Press: In the Gallows Wake – A Pirate Horror Anthology
This is a fiction anthology of “piratical horror stories that are certain to plunge readers into the heart of darkness on the high seas, where cursed pirates and spectral ships reign with terror and betrayal, promising no soul safe passage through their nightmarish waters.” And, “Diverse voices in pirate stories transform the high seas into a vibrant canvas of human experience, weaving a rich tapestry that blends historical accuracy with untold narratives, ensuring every wave and whisper carries the weight of authenticity and boundless imagination. This approach not only breathes life into the sails of traditional tales but also charts a course toward a more inclusive and multifaceted exploration of freedom, identity, and adventure.”
They also accept reprints.
Deadline: 1 August 2024
Length: 4,000-6,000 words
Pay: $0.01/word
Details here.
The First Line Journal
They want fiction (all genres) and poetry that begins with pre-set first lines, one for each quarterly issue. For nonfiction, they want critical articles about your favorite first line from a literary work. For fiction and poetry, for the Fall issue, the first line is:
“When she was eight, Alice Henderson briefly held the world record for filling her mouth with marbles.”
Deadline: 1 August 2024 for the Fall issue
Length: 300-5,000 words for fiction; 500-800 words for nonfiction
Pay: $25-50 for fiction, $25 for nonfiction, $10 for poetry (less postage fee for international writers – see guidelines)
Details here.
Zombies in the New Normal Anthology
This is a fiction anthology – they want real-world based zombie horror. They have detailed guidelines about the kind of stories they want, including, “At its heart, this anthology is about America and the sometimes blind resilience to carry on. These stories hint at that resilience and acceptance of this “New Normal.””
Deadline: 1 August 2024
Length: 3,000-12,000 words
Pay: $100
Details here (scroll down).
The Other Stories Podcast
This is a horror/sci-fi/thriller fiction podcast from Hawk & Cleaver. They accept themed fiction submissions of up to 2,000 words. Some upcoming themes are: The Tarot, deadline 1 August; Shakespeare, deadline 1 September; and Bleeding Hearts, deadline 1 November 2024.
Deadlines: See above
Length: Up to 2,000 words
Pay: £15
Details here, here, and here.
Motherwell: Holidays as a Parent, and more
Motherwell is a general-interest magazine on parenting; they accept essays, and work in other formats, on parenting. They accept perspective pieces, personal essays, essays on the ‘parenting and food’ theme, and more. They’re currently also looking for completed essays on ‘Holidays as a Parent’ theme. “We’d love to invite submissions about what the holidays (e.g. Valentine’s Day, Mother’s Day, Thanksgiving) mean to you and your family. Or anything regarding how they make you feel about being a parent. We are open to a range of formats and lengths: personal essays, humor pieces, listicles, anecdotes, etc. These submissions will go through our regular paid/unpaid process (see dropdown menu). All formats welcome and please include a word count (we tend to cap at 1,200).” Please note, some submissions to this magazine (shorter pieces, alternative formats, and more) are unpaid.
Deadline: Unspecified
Length: Up to 1,200 words for essays
Pay: Unspecified
Details here.
(Motherwell has more than one category listed on Submittable; please be sure to submit in the correct one.)
THEMED CONTESTS
(Apart from the themed contests below, submissions are also open for:
— Blessing the Boats Selections by BOA Editions – this isn’t a contest, but an open submission period for a poetry collection by women of color in the US; one selected poet gets $5,000, and a publishing contract, deadline 14 July 2024, details here;
— And PEN has a few grants for writers, including the PEN/Heim Translation Fund Grants, which support the translation of book-length works of poetry, fiction, creative nonfiction, or drama in English; the grants are $2,000-4,000, and the deadline is 1 August 2024; details here and here; there’s one for Children’s and Young Adult Novelists, the grant is $5,000, and the deadline is 1 August 2024; details here and here; another is for Literary Oral History, for literary works of nonfiction that use oral history to illuminate an event, individual, place, or movement; there are two grants of $15,000 each, the deadline is 1 August 2024, details here and here; there are also the PEN/Bare Life Review Grants which recognize literary works by immigrant and refugee writers; there are two grants of $5,000 each, deadline 1 August 2024, details here and here. Please check all the PEN grants for detailed eligibility, and other requirements.
— There are also the Granum Foundation Prizes – the Granum Foundation Prize and the Granum Foundation Translation Prize, for works in progress, to help US-based writers complete substantive literary projects, including novels, memoirs, books of poetry, short story collections, and works in translation. The Granum Foundation Prize is $5,000, with up to three finalist prizes of with $500 or more each; and the Translation Prize is $1,500 or more. The deadline is 1 August 2024; details here.)
The H. G. Wells Short Story Competition
This is an international short story contest; they want short fiction of 1,500-5,000 words on this year’s theme, The Fool. There is no fee for The Margaret and Reg Turnill Competition for young writers, i.e. for those under 21 years, and the prize for that is £1,000. Also see their FAQ.
Value: £1,000
Deadline: 8 July 2024
Open for: Fee-free for writers under 21 years
Details here and here.
Sine Theta Magazine Annual Writing Contest
Sine Theta Magazine accepts works from people of Sino descent only, regardless of nationality, and the same eligibility requirement applies to this contest. They are accepting works of prose and poetry for their next issue. They have published three prompts on their website, and writers should respond to those prompts directly or indirectly. Out of all the entries submitted for publication in the magazine, they will select one winner for poetry, and another winner for prose, who will receive cash prizes. (Also, “All authors published in sinθ receive a $10 USD honorarium. For the two contest winners, there is an additional $200 USD prize, amounting to a total of $210 USD.”)
Value: $150 each for poetry and prose
Deadline: 10 July 2024
Open for: People of Sino descent
Details here.
The Helen Schaible International Sonnet Contest
For this contest, they have two categories: a traditional sonnet, which can be Shakespearean or Petrarchan, and a modern sonnet. Poets can enter work in one or both categories (see guidelines).
Value: $50, $30, $20
Deadline: 15 July 2024
Open for: All poets
Details here.
The Burlington Contemporary Art Writing Prize
This is a prize for an art exhibit review. “To enter the prize, entrants should submit one unpublished review of a contemporary art exhibition by the specified deadline. ‘Contemporary’ is defined as art produced since 2000. The exhibition under review can be staged anywhere in the world, but it should be current or have closed within the last six months at the date of submission.” Regarding eligibility, they say, “Entrants must have published no more than six pieces of writing in print or online, in any language or country, prior to their submission. This does not include personal blogs and websites.” Before entering, applicants are encouraged to read reviews recently published on Burlington Contemporary.
Value: $1,000
Deadline: 15 July 2024
Open for: Emerging writers
Details here.
Strive Publishing & Free Spirit Publishing: Black Voices in Children’s Literature
This is a contest for US-based Black writers. They want children’s stories by and about Black people. “Eligible entries will include original children’s books for ages 0–4 (50–125 words) or for ages 4–8 (300–800 words) featuring authentic, realistic Black characters and culture and focusing on one or more of the following topics: character development, self-esteem, identity, diversity, getting along with others, engaging with family and community, or other topics related to positive childhood development. Religious and fantasy themes will not be considered.”
Value: $1,000, $500, $250
Deadline: 22 July 2024
Open for: Black writers in the US
Details here and here.
(Their Submittable page also has details of other calls.)
Four Palaces Publishing: Solastalgia
This is a creative nonfiction contest; the essays will be published in an anthology. “Is change a sparkling jewel of fate or an unnecessary diversion in what was already a good thing? We’re interested in creative nonfiction essays on change over time with an environmental lens, particularly dealing with the concept of solastalgia—”the homesickness you have when you are still at home.” How has the environment progressed around you, and how is it causing existential distress to your community? What’s happened to your hometown that you only visit twice a year? Have you noticed how your body reacts to the pollen in the spring, when you’ve never noticed it at all? We love to see a rainbow at the end of the storm, but we’re also perfectly fine watching the gray skies from our window. Let’s see how your places have changed.
As opposed to nostalgia—the melancholia or homesickness experienced by individuals when separated from a loved home—solastalgia is the distress that is produced by environmental change impacting on people while they are directly connected to their home environment.” And, “We prefer mainstream literature, though don’t be afraid to send in something experimental—Leslie Jamison’s “The Empathy Exams” is a great reference.” The winning essay gets $1,000 and mentorship in either craft or professional development, and other writers selected for the anthology get $100.
Value: $1,000; $100 for other selected essays
Deadline: 31 July 2024
Length: 2,000-6,000 words
Details here and here.
Speculative Literature Foundation: Two grants
They will be open for two grants in July; writers can apply for one or both grants.
— The Diverse Writers grant is to support new and emerging writers of speculative fiction from underrepresented groups, including writers of color, disabled, women or working-class writers.
— The Diverse Worlds grant is for work that best represents a diverse world, irrespective of the writer’s background.
Writers may apply for one or both grants. The project must be a proposed book-length work of speculative fiction (novels, short story collections). Non-fiction, poetry, picture books, and editorial projects are not eligible. See their schedule for other grants, with later submission periods.
Value: Two grants of $500 each
Deadline: 31 July 2024
Open for: Underrepresented writers for Diverse Writers; and writers whose work represents a diverse world for Diverse Worlds
Details here (grant details) and here (schedule for all their grants).
Sisters in Crime: Pride Award for Emerging LGBTQIA+ Crime Writers
This is a grant for an emerging writer in the LGBTQIA+ community. It is for an unpublished work of crime fiction, aimed at readers from children’s chapter books through adults. This may be a short story or first chapter(s) of a manuscript in-progress of 2,500 to 5,000 words. An unpublished writer is preferred, but writers with publication of not more than 10 pieces of short fiction and/or up to 2 self-published or traditionally published books are also eligible. Also, winners and any runners-ups who wish to maintain their anonymity, may do so, or they may choose to select a pen name for announcements. Please note, you have to register/log in to access the submission portal.
Value: $2,000
Deadline: 31 July 2024 (see the submission dates on their Facebook page)
Open for: Unpublished/emerging LGBTQIA+ writers (see guidelines)
Details here.
(See all of Sisters in Crime grants/awards here.)
Singapore Unbound Awards: Singapore and Other Literatures
These awards are for the best undergraduate critical essays on Singapore and Other Literatures. “For the purpose of these awards, Singapore literature is defined as literature written in English from 1965 onwards by a Singaporean citizen, permanent resident, or anyone with a strong personal and literary association with Singapore. The author does not have to be residing in Singapore nor to have maintained their citizenship. The work(s) discussed may be in any of the literary genres, including but not limited to poetry, fiction, literary non-fiction, drama, and graphic novels.”
Value: S250 each for three essayists
Open for: Undergraduate writers
Deadline: 31 July 2024
Details here.
(See Singapore Unbound’s submission calls here.)
Hachette UK: The Future Bookshelf – The Robinson New Voices Award
This is an opportunity for unagented, unpublished, underrepresented writers in the UK, for a popular psychology book. “Hachette UK’s The Future Bookshelf is running the New Voices Award Prize for its second year to help discover unpublished psychology writers from Black, Asian, mixed heritage and multiple ethnic backgrounds, as well as those who are disabled, gender diverse, part of the LGBTQIA+ community or from cultural or religious minorities. … The winner will receive an offer to publish with Robinson including an advance against royalties of at least £5000”. And, judging will be on the originality of the thesis or concept, the logic and credibility of the argument, the rigour of the research, the clarity and accessibility of the writing, the relevance of the topic to general and/or non-academic readers, and the usefulness of the advice.
Value: £5,000 advance, feedback, mentoring, meeting with a literary agent, and more
Deadline: 31 July 2024
Open for: UK-based unpublished and underrepresented writers (see guidelines)
Details here.
(See all of The Future Bookshelf’s opportunities, including for LGBTQ+ writers, here.)
(A couple of contests with later deadlines are:
— The Academy for Teachers – Stories Out of School Flash Fiction Contest: They want honest, unsentimental stories, of 6-499 words, about teachers and schools. The contest is open to all writers, whether or not they are a teacher. The story’s protagonist or narrator must be a K-12 teacher. Sentimentality is discouraged and education jargon is forbidden. The prize is $1,000, and publication in A Public Space. The deadline is 1 September 2024. Details here and here.
— The Writers College – Short Story Competition for Emerging Writers: This is an international fiction contest, open to writers ages 16 and over; send stories of up to 2,000 words. Regarding eligibility they say, “We aim to support beginner writers only. We accept stories from writers who have never been published, or who have been published fewer than four times in any genre.” (See guidelines). The contest theme is, ‘It didn’t have to be this way’. Also, “We accept stories in any genre (literary/horror/sci-fi/fantasy/spec fic). However, literary fiction tends to fare best with our judges.” The prizes are NZ$1,000, NZ$500, and NZ$250. The deadline is 30 September 2024.
Details here.)
Bio: S. Kalekar is the pseudonym of a regular contributor to this magazine. She can be reached here.
