Articles by A Guest Author

Flash Fiction: Packing a Lot into a Little

By David Galef What’s under 1,000 words and read all over? Flash fiction. You can change the limit to 500, around 300 for micro fiction, and even less for tiny miniatures like hint fiction (25 words or fewer) and nanofiction, which is the length of an old-style tweet, 140 characters, including the spaces. The principle…

An Accidental Novelist

By Sarah Martin Of all the different kinds of writing I’ve practised over the years, novel writing is the most exhilarating. That’s partly because things don’t always turn out the way you planned. My writing life began with school reports where careful diplomacy ran a fine line between avoiding motherhood statements or being hurtful, and…

3 Questions to Answer Before Your Inciting Event

By Ashley Taylor Clark Story beginnings are infamously difficult to write. Since most major story beats don’t happen until the second act, many writers are left floundering with what feels like slow, tedious detail as they attempt to write their opener. If you’re a plotter, you may have even sought out templates or other tips…

Rock the Mic: Giving a Poetry Reading They Will Remember

By Allison Whittenberg Readings are everywhere: in coffee houses and cafes. Bookstores and libraries. Museums and art galleries. Colleges and universities. Chances are  wherever you live, you are within a stones throw or at the very most, driving distance from a reading. Perhaps the spotlight is on you this  time around. Here are some tips…

Simple Strategies for Building a Daily Writing Habit

By Emily-Jane Hills Orford We’re not all morning people. Some of us are more alert in the afternoon and evening. I’m a morning person and I’m also a creature of habit. Routines get me going, and make me feel like I’m accomplishing something and getting the day off to a good start. And by having…

How to Actually Use Beta Reader Feedback (And When to Ignore It)

By Aliya Bree Hall Beta readers are usually the first real readers that you’ll get outside of your critique partners that will offer insight into your story. It’s an important stage of the writing process because their comments will help you determine what’s working in your story and what still needs some work. Once you…

Case Study: How I Published My Debut Novel Off the Yoga Mat

By Cheryl J. Fish This is part of our ongoing series on how authors published their first book. You can read our other stories in this series, here, here, here, and here. I am writing about what happened to me, at the threshold of publishing my debut novel. After fifteen years, after realizing there are notable paths…

Case Study: How I Broke Into Traditional Publishing As A Debut Author

By Nev March This is part of our ongoing series on how authors published their first book. You can read our other stories in this series, here, here, and here. “And you’re going to speak at the Edgar Award Ceremony. You’ll go first, before the Edgars,” said Mystery Writers of America director Margery Flax. Jaw…

3 Things Your Opening Scenes Should Achieve

By Ashley Taylor Clark You’ve done it — you’ve finally crafted the perfect plot, and you know exactly what your inciting event needs to be to get your protagonist started on their adventure. Now you just have to figure out how to get them there. You only have a handful of scenes with which to…

How to Create Realistic Writing Goals

By Aliya Bree Hall When starting a manuscript, most writers are already thinking ahead to the finish line — being published. Although publishing is an excellent overarching goal to strive for, it shouldn’t be the only goal that you have as a writer. At the start of your novel, publishing feels like such a distant…

Lessons from Almost Thirty Years in the Publishing Industry

By Sheri Amsel Things are always changing. Publishing is no exception. When I published my first picture book, the publishing house handled everything. They took my manuscript and illustrations and 18 months later a hard cover book came in the mail. It was stunning – beautifully designed and printed, my story displayed in its best…

How to Write a Great Opening Line

By Ashley Taylor Clark It’s impossible to overstate how important your opening line is. It’s your first opportunity to introduce readers to your story and motivate them to keep reading, meaning the pressure is on to make that first line stand out. You’ve most likely been told to “hook” your readers — to get them…

Nine Recurring Dark Fiction Markets

By Chris Saunders The short fiction market is constantly in a state of flux and public tastes are always shifting and changing. However, one little corner of this rich and diverse landscape has remained consistently strong. For our purposes we’ll call it ‘dark fiction.’ Beneath this rather expansive umbrella you will find numerous categories and…

Writing Realism in Unrealistic Settings

By Ashley Taylor Clark Reality is the basis of all fiction. No matter how bizarre or fantastical your story may be, its foundation is built on and around the rules of the real world. This may seem like a limitation at first glance (why write fantasy at all if it needs to be reined in…

Who Am I? And the Author’s Bio

By Emily-Jane Hills Orford You’ve been asked to supply an author’s biography (author bio) to accompany your publications (either books, stories or articles). No more than fifty words in length. What do you say? What do you write? How can you keep it this short? For me, I like to revert to the exercise I…

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