Issues

The Bloomin’ Onion: Now Seeking Fiction Submissions

The Bloomin’ Onion is a new online journal of flash fiction, short stories, and longform stories (up to 15,000 words). All authors are encouraged to submit; however, they’re especially interested in publishing new authors: “The Bloomin’ Onion was founded as a way to help new and unpublished authors find their place.” The Bloomin’ Onion accepts…
Issue Six Hundred Twenty Three

Game Over Books: Accepting Manuscript Submissions

A small press based out of Boston, Game Over Books was founded in 2017 and has funded their small press through a mix of Kickstarter fundraising, Patreon, and book sales. Their staff page is here, if you want to learn more about their team. Their covers are generally excellent, and all of the books they’ve…
Issue Six Hundred Twenty Three Literary Fiction Manuscript Publishers Poetry

Am I A Writer or Just a Person Who Owns Too Many Notebooks?

By Sabyasachi Roy At what point does an obsession with buying notebooks become a cry for help? Because if owning stacks of untouched Moleskines made you a writer, my bookshelf alone would have penned a Pulitzer by now. And yet, here I am, staring at another blank page, wondering if I actually write or just…
Issue Six Hundred Twenty Three Special Feature

9 Publishers Open to Direct Submissions in May 2025

This list focuses on nine publishers that we are excited about that are open to submissions this month. Some are only open for a short period of time, others will be open the whole month and beyond. At least four of these are presses we have not covered previously. Please note that if a publisher…
Issue Six Hundred Twenty Two

10 Magazines Accepting Authors Interviews

These magazines publish various types of author interviews. They accept either pitches or direct submissions. They’re a mix of literary and genre magazines. All of them also accept other genres, like fiction, creative nonfiction, and/or poetry. As always, please read the relevant section in the magazine to get a sense of the kind of work…
Issue Six Hundred Twenty Two Special Feature

How Six Scribes Made Me a Better Writer

By Alice J. Wisler Even though I was happy to see the notice on the library bulletin board, I didn’t realize how much it would contribute to my writing success. Someone wanted to know if others in our area were interested in forming a writers’ group. I jotted down the number to call. Weeks later,…
Issue Six Hundred Twenty Two Special Feature

Notes from the Editor’s Desk: April 2025

NanoWriMo is Shutting Down; 6 Publishing Opportunities; Subscriber Success Stories This monthly column is published on the fourth Thursday of every month, and is an opportunity for me to share information that doesn’t fit anywhere else in our publication. This includes a wide range of opportunities for writers, news and information, and subscriber’s recent success…
Issue Six Hundred Twenty One Notes from the Editor's Desk Publishing Industry News

Inkfish: Now Seeking Submissions

Inkfish is an online journal of poetry, fiction (including flash), creative nonfiction, and visual art, based in the UK. They publish both emerging and established authors from around the world. Inkfish likes emotionally resonant stories with a strong voice and engaging characters. For poetry, they publish a broad range of styles, including experimental forms. In…
Creative Non Fiction Fiction Flash Issue Six Hundred Twenty One Literary Journals Poetry

Writing Effective Flashbacks: Seamlessly Integrating Backstory

By Sabyasachi Roy Flashbacks can be one of the greatest storytelling tools. But there is a catch (there always is, isn’t there). A flashback, as a misused literary tool, is one of the easiest ways to completely wreck a narrative. See, you have to use it well to add depth, emotion, and intrigue. If you…
Issue Six Hundred Twenty One Special Feature

The Medley: Now Seeking Submissions

The Medley is a biannual online journal produced by the students of Hansraj College at the University of Delhi in India. They showcase fiction, creative nonfiction, poetry, and photography from around the world. You can get a sense of what they publish by reading the journal online. The Medley has been published twice a year…
Issue Six Hundred Twenty Literary Journals

95 Opportunities for Historically Underrepresented Writers (April 2025)

This list of publishers meet our guiding principles, but are only open to free submissions from historically underrepresented writers or focus on publishing content produced by historically underrepresented writers. Some of these publications are open to a wide range of writers including writers of color, gender non-conforming and LGBTQ+ writers, and those living with disabilities….
Issue Six Hundred Twenty

Lessons From a Writer and Her Rejections

By Melissa Witcher With over 100 literary magazine rejections in the past two years, I am quite familiar with being not quite the right fit. I’ve always been a misfit so it makes sense that my writing career would follow suit. Many famous people, quite successful, have written about rejection in poetic and useful ways….
Issue Six Hundred Twenty Special Feature

5 Paying Literary Magazines to Submit to in April 2025

These magazines pay for fiction, nonfiction, and poetry. They’re a mix of literary and genre magazines. Not all are open through the month. CutleafThis is the journal of EastOver Press. They are open now for literary fiction (including excerpts) and nonfiction. Poetry is closed.Deadline: 15 April 2025 for fiction and nonfictionLength: Up to 4,000 words…
Issue Six Hundred Nineteen Special Feature

Folklore Review—Now Seeking Submissions

Folklore Review is an online journal of speculative fiction, nonfiction, poetry, and visual art, all inspired by folklore. They like magical writing with real weight, even if it exists within a fantasy realm: “We reject the stance that speculative fiction lacks the quality of realism. That stories about gnomes, fairies, and fauns don’t hold substance.”…
Fiction Issue Six Hundred Nineteen Literary Journals Poetry

How to Play The Subtext Game with Your Dialogue

By Sabyasachi Roy Writing dialogue can feel like a balancing act. If you use too much, you run the risk of overloading the reader. Too little leaves them perplexed. Finding the sweet spot where something magical occurs is difficult, and frequently it all comes down to what you choose not to say. Subtext—those delicious layers…
Issue Six Hundred Nineteen Special Feature

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