Special Feature

12 Magazines Seeking Writing on Climate, the Environment, and Nature

These magazines accept fiction, nonfiction, poetry, and hybrid work on climate/environment/nature, ranging from new nature writing to environmental justice to eco-horror. Most, but not all, are open for submissions now. Some magazines pay writers. About Place JournalTheir tagline is, ‘a literary journal published by the Black Earth Institute dedicated to re-forging the links between art…
Issue Six Hundred Sixty One Special Feature

When the Story Turns Its Back: Learning to Abandon Gracefully

Some stories are like those friends who say, “We should totally hang out,” and then vanish like they got drafted by NASA. You try calling them back—chapter one, chapter two, that weird half-scene you wrote on a bus—and the story just rolls over, shows you its spine, and pretends it doesn’t know you. That’s when…
Issue Six Hundred Sixty One Special Feature

Identifying Your Book’s Target Audiences: Your Marketing Plan Foundation

By Jean Burgess I recently presented a conference workshop entitled “Creative Approaches to Direct Marketing Events.” The workshop’s first step asked participants to think about themes from their book that would appeal to their target audiences. Once the foundation was in place, the plan was to brainstorm ideas for events, organizations, interest groups, venues, etc….
Issue Six Hundred Fifty Nine Special Feature

5 Paying Literary Magazines to Submit to in January 2026

These magazines pay for fiction, nonfiction, and poetry. They are a mix of literary and genre magazines. They’re open now, or will soon open for submissions. Three-Lobed Burning EyeThey publish speculative fiction: including horror, dark fantasy, and science fiction. They want works “across the speculative genres, including all the shadows between and fluid mixtures thereof….
Issue Six Hundred Fifty Eight Paying Market Special Feature

How to Balance Research and Writing

Ratika Deshpande “Write what you know” is common advice, but sometimes, we need to know more about the things we’re using in our stories, and that requires research.  The illusion of research as productive work But research is a double-edged sword: it is as distracting as it is useful. As you click on yet another…
Issue Six Hundred Fifty Eight Special Feature

The Physics of Emotion: Writing the Moment Before It Hits

There’s this weird blink in time — that hiccup between something happening and your brain sending out the official memo that says “Hey champ, you’re about to feel things.” Fiction lives there. Camps there. Probably steals cable from the neighbor there. That micro-instant is where your characters actually become human instead of cardboard standees with…
Issue Six Hundred Fifty Seven Special Feature

7 Ways to Increase Your Visibility as a Writer on Social Media

By Immaculata Chidera Osuji A social media profile is a powerful tool for writers. While many writers are naturally introverted and prefer to keep a low profile, hiding your creativity can present challenges. It’s perfectly fine to be introverted, but don’t let it silence your voice. This article will show you exactly how to build…
Issue Six Hundred Fifty Seven Issue Two Hundred Eighty Three Special Feature

81 Opportunities for Historically Underrepresented Writers (December 2025)

This list of publishers meet our guiding principles, but are only open to free submissions from historically underrepresented writers or focus on publishing content produced by historically underrepresented writers. Some of these publications are open to a wide range of writers including writers of color, gender non-conforming and LGBTQ+ writers, and those living with disabilities….
Issue Six Hundred Fifty Five Special Feature

The Art of Not Knowing What You’re Writing Yet

Writers pretend like they know what they’re doing. They don’t. The ones who say they do are lying or legally obligated to sound confident for their MFA programs. Sometimes we walk into actual furniture. My knee still remembers the time I backed into a table after a plot twist surprised me. People act like you…
Issue Six Hundred Fifty Four Special Feature

Ten Manuscript Publishers Open to Direct Submissions in December 2025

This list focuses on ten publishers that we are excited about that are open to submissions this month. Some are only open for a short period of time, others will be open the whole month and beyond. At least four of these are presses we have not covered previously. Please note that if a publisher…
Issue Six Hundred Fifty Three Special Feature

Bait and Switch: Editing Fees Built into Contracts

I have been covering the publishing industry for over a decade now, reviewing a minimum of fifty-two publishers a year. I visit approximately ten publishers websites for everyone one I will actually review. I can only review publishers that match Authors Publish’s Guiding Principles. I also keep a careful eye out for red flags, and…
Issue Six Hundred Fifty Three Special Feature

10 Magazines Accepting Formal Poetry

These journals accept formal and/or rhymed poetry of various types, from villanelles to sonnets to lyric poetry. Many also accept non-formal verse. A couple of them pay writers. Most, but not all, of these magazines are open for submissions now. Blue UnicornThis is a print poetry magazine; you can read more about them here. “BU…
Issue Six Hundred Fifty Two Special Feature

Promotion Commotion: How to Steer Clear of Scam Artists

By Bob Rich Wonderful! Your book is accepted by a publisher, or perhaps you self-published. In the vast majority of cases, promotion is entirely up to you. Many honest businesses provide promotional services to authors. Also, there is a highly successful robbery industry preying on authors’ dreams. Even honest businesses are not necessarily useful in…
Issue Six Hundred Fifty Two Special Feature

A Craft Essay About Never Knowing How to Stop

By Sabyasachi Roy You ever notice how beginnings get all the glory? Everyone’s obsessed with “the hook.” Grab the reader by the collar, shake them, spill coffee in their lap. But endings—no one talks about the fact that endings are basically a con. Like… “wrap it up neatly.” Excuse me? I can’t even wrap Christmas…
Issue Six Hundred Fifty One Special Feature

Heads up! from a Short Story Judge

By E. L. TenenbaumOver the last while, I’ve done a few turns as a first-round judge for a few writing competitions, most recently for short stories. Usually, entries must undergo more than one round of judging, by more than one judge, before winners can be chosen. Across the board, almost all writing competitions juggle the…
Issue Six Hundred Fifty Special Feature

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