Special Feature

Knowing When to Rewrite

By Richie Billings I had a sickening moment not long ago. While thinking how best to put the pieces of a story together, I realized none of it worked. It was like trying to place triangles into oblongs.  Before nausea came panic, and when at last they both settled, I realized I had a decision…
Issue Three Hundred Twenty Special Feature

Advice for a Writer Yet to Finish Their First Manuscript

Being at the start of your journey as a writer can feel very daunting. An Authors Publish reader wrote to me recently and asked what advice I would give to someone with a first book in draft. She was unsure whether to focus on finishing her novel or if concentrating on placing shorter pieces made…
Issue Three Hundred Nineteen Special Feature

The Problem of Traditional Publishers With Vanity Presses

Vanity presses have been around for a long time. They charge writers significant amounts of money to get a book published, offering services such as editing, design, and marketing, often for many thousands of dollars. I have many problems with vanity presses in general. More recently, there has been a recent trend of vanity presses…
Issue Three Hundred Eighteen Special Feature

How to Use Personality Theory to Write Real Characters

Katie Lawrence In Bring Your Fiction To Life, Karen S. Wiesner writes about a way to craft your story in a logical and comprehensive way. Writing, from her perspective, is divided into the categories of setting, plot, and, arguably the most important, character. Creating characters something every fiction writer that ever was and ever will…
Issue Three Hundred Twenty Eight Special Feature

On Pen Names

I am writing this using a pen name. I write poetry, prose, and nonfiction, and only my prose is published under my legal name. That said, there are plus and minuses to pen names. I don’t think they are for everyone, and after using the same one for almost a decade I wouldn’t chose another…
Issue Three Hundred Seventeen Special Feature Uncategorized

How to Write a Third Person Biographical Statement

When you read submission guidelines, which vary from literary journal to literary journal, almost all of them will require that you include a brief biographical statement (or bio). Usually they require that the bio is in the third person and to be 50 words or less. These bios are tricky to write. It is hard…
Issue Three Hundred Sixteen Special Feature

An Argument for Writing Poetry

One of the funny things about writing poetry is that most writers either think of themselves as a poet or as a writer. This is not in fact the case, poetry is after all just a form of writing. However a lot of writers, even writers with lots of experience and published books out, are…
Issue Three Hundred Fifteen Special Feature

The Benefits of Embracing Multiple Forms of Writing

I’ve loved writing since I was a child, but I suppose I didn’t consider myself a ‘real’ writer until I finally published my first novel in 2013. If you’d asked me back then, what else I wrote, I would have said nothing. In my mind, I was a novel writer and nothing more. In fact,…
Issue Three Hundred Fourteen Special Feature

9 Free Writing Contests

Natalia Bulat The following 9 fee free writing contests are divided into two categories, fiction and non-fiction. All contests offer cash prizes. Fiction 1. Drue Heinz Literature Prize. They consider unpublished manuscripts of short stories, two or more novellas (length of a novella is up to 130 pages) or a combination of a novella (novellas)…
Issue Three Hundred Thirteen Special Feature

How to Network with Other Authors

Kia Carrington-Russell It can be daunting to meet and network with fellow writers and authors. Especially, when you are new to the community. With these few tips, you will realize it’s not as scary as it initially seems, and you’ll be in a supportive group and network in no time. The easiest and most immediate…
Issue Three Hundred Twelve Special Feature

How to use LinkedIn to Build Your Profile as a Creative Writer

— Ben Graff Writing is identity. Whether we write novels, short stories, poetry or something else entirely, every piece of work is precious. Yet it is all too easy to become so absorbed by our work that we miss opportunities to tell the most important story of all. Namely, that of who we are as…
Issue Three Hundred Eleven Special Feature

5 Paying Literary Markets to Submit to in May 2019

These literary markets are open during May 2019. They are a mix of literary and genre markets, and all of these pay writers. One Story They accept literary fiction stories, on any style or subject, that leave readers feeling satisfied and are strong enough to stand alone. They will also consider certain reprints (stories that…
Issue Three Hundred Ten Special Feature

Zoetrope: An Excellent Source of Feedback for Your Writing

by Silver Damsen One of the axioms of being a writer is that one has to write. I agree; writing is the most important aspect of being a writer. If one doesn’t write, one isn’t a writer. The second most important is to publish. Unfortunately, the distance between writing and publishing can seem daunting. The…
Issue Three Hundred Ten Special Feature

How To Encourage Young Writers

When I was a child my fondness for writing was often met with smiles and praise, but rarely with helpful or genuine encouragement. In fact, when I announced that I wanted to be a writer when I grew up, most people tried to talk me out of it. There’s no money in it, they would…
Issue Three Hundred Nine Special Feature

How To Write (And Edit) Nonfiction That People Want To Read

Katie Lawrence Many a writer has sat down, written a fairly decent piece, and was left without a clue of what to do next. This occurs particularly often in the realm and genre of narrative nonfiction. Naturally, we have our applications set up to check for grammar mistakes, and we ensure that our message has…
Issue Three Hundred Eight Special Feature

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