Special Feature

BetaBooks: A New Tool for Organizing Beta Reading

By Kelli Fitzpatrick Beta readers are essential to the writing process. They voluntarily read your completed work to give feedback before you submit a manuscript for publication. While these people are awesome, the process of collecting feedback from multiple beta readers and keeping it organized and accessible has long been a hassle for authors, especially…
Issue Two Hundred Twenty Eight Special Feature

Seven Books Every Writer Should Read

There are hundreds of books on writing that are out there. In fact as a young writer I received many of these as birthday gifts; some were extremely helpful,  others were just frustrating, and many are still sitting on a shelf in my parents’ house, unread. However, whether you are a poet, a fiction writer,…
Issue Two Hundred Twenty Seven Special Feature

Top Conference Follow-Up Tips

by Devon Ellington  Meeting agents and editors at conferences gives a stronger sense of whether your work is the right match. You also meet other authors, who provide mutual support on the publishing journey. Conferences are both exhilarating and exhausting. How often have you returned from a conference, dumped your bag in the corner and…
Issue Two Hundred Thirty Two Special Feature

How to Future-Proof Your Writing

By James Aitchison When books come back from the dead, who gets the money? Or doesn’t it matter? As a working author, I think it matters greatly. As history has often proved, you never know when something you’ve written will be rediscovered and dusted off long after your death. A case in point is Maigret,…
Issue Two Hundred Twenty Five Special Feature

The Basic Structure for a Story

By Matthew Meyer Ever since I picked up my first Goosebumps book back in third grade (I can’t remember what the name of it was exactly), I’ve wanted to do what R.L. Stine was doing. Not necessarily horror books, but the way he structured his writing intrigued me, making me think, “hey! This is neat!…
Issue Two Hundred Twenty Four Special Feature

Why You Should Start Submitting This September

“I went for years not finishing anything. Because, of course, when you finish something you can be judged… I had poems which were re-written so many times I suspect it was just a way of avoiding sending them out.” Erica Jong Starting to submit your work to literary journals is a hard task.  Before you…
Issue One Hundred Twenty Three Issue Seventy-Five Issue Two Hundred Twenty Four Publishing Guides Special Feature

3 Steps to Take After Sending Your Book Query to Agents Or Publishers

Congratulations, you’ve reached that ever-so-exciting spot in the writing process where you have a draft that has been polished enough to seek out an agent or a publisher and you’re now in the querying trenches. From the anxious moment you hit send on your first query letter to the first form rejection letter, querying time…
Issue Two Hundred Twenty Three Special Feature

10 Calls for Poetry Submissions

S. Kalekar This is a list of ten places poets and translators can submit to. There are a couple of themed submission calls, and a poetry competition for young poets in the UK. Some magazines pay for work. While all of these calls are for poetry, all have widely different tones and styles. Art UK:…
Issue Two Hundred Twenty Two Special Feature

How to Write a Successful Query Letter

You have completed your first novel. You have edited it a number of times. Perhaps you have paid an editor to help you revise it.  You have already put a considerable amount of work into it, but it is not a book yet, it’s still a manuscript, not to be found in bookstores, but on…
Issue Two Hundred Twenty One Special Feature

A New Way to Find Fee Free Markets

At Authors Publish we focus on giving more in depth reviews of literary journals, all fee free, of course. Although, if you submit frequently our listings will not be enough publications for you to submit to. Some authors send submissions to as many as 40 publications at once. Many of the literary journal listing services,…
Issue Two Hundred Twenty One Special Feature

The Extreme Writing Habits of 5 Famous Authors

I have long been fascinated by writing habits of authors. In part, because I don’t really have very many habits. I can write anywhere, under most circumstances. I do prefer a computer to paper and a pen, but that is only because I am a much faster typist. Although I have tried setting up ritualized…
Issue Two Hundred Twenty Six Special Feature

3 Lists of Paying Sci-Fi Publishers

By Kelli Fitzpatrick As a science fiction author, I frequently find myself searching for homes for my stories, so I keep the three web pages below bookmarked on my desktop and mobile home screen as quick reference guides to potential markets. I prefer to be paid for my work (as opposed to publication without compensation),…
Issue Two Hundred Thirty Five Special Feature

5 Reasons Writers Should Read Often

By Kelli Fitzpatrick Writers are often pressed for time, especially those of us who work a second profession. Though it can be tempting to pour all my free time into fleshing out an outline or bringing that next chapter to life, I have found it is essential for my success as an author that I…
Issue Two Hundred Seventeen Special Feature

How Poets Make a Living

At a garden party in Brooklyn years ago, someone stopped me, and asked me what I did. At the time I was in a Master’s of Fine Art program focusing on Poetry, I would graduate that spring with an MFA in Poetry. So I told the stranger that and he aksed “how do a poets…
Issue Two Hundred Twenty Special Feature

Podcasting Your Writing: A Great Promotional Tool

By Jack B. Rochester, Ruby Fink, and Michael Mavilia Have you ever wondered what people wearing ear buds are listening to when they’re out jogging? What they’re playing in their cars while stuck in traffic? Or when simply enjoying in those quiet, personal times away from the glare and blare of a TV? You might…
Issue Two Hundred Sixteen Special Feature

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