This list of publishers meet our guiding principles, but are only open to free submissions from historically underrepresented writers or focus on publishing content produced by historically underrepresented writers. Some of these publications are open to a wide range of writers including writers of color, gender non-conforming and LGBTQ+ writers, and those living with disabilities. Some have limited definitions and are only interested in work by Black authors.
We try to make it as clear as possible who the publisher is seeking work from. Sometimes the focus of the press is limited, even though there are no limitations on who can submit. A few of the opportunities are also limited by geography, again, we try to make this clear. There are always additional submission details at the site we link to, but we try to cover the basics as best we can as part of this list.
If you belong to a limited demographic that is not listed here, this list might be helpful to you.
As long as a press/opportunity/journal is open to submissions we will continue to list it, so some of the content on the list is new, some overlaps with previous issues. This article is an ongoing collaborative effort by Emily Harstone and S. Kalekar. Please send us an email at support@authorspublish.com if you have any feedback or an opportunity/journal/publisher, to recommend.
Literary Journals/Magazines
Rough Cut Press
They want submissions in all genres by writers of the LGBTQ+ community on the ‘Splinter’ theme. They pay $25 for works up to 650 words. The deadline is 27 September 2024.
My Galvanized Friend
This magazine wants fiction, nonfiction, and poetry from LGBTQ+ writers across the US only, on the theme, ‘No One Can Know’. Pay is $10-25, and the deadline is 30 September 2024. Details here.
Translunar Travelers Lounge
They want “fun” speculative fiction. “Swashbuckling adventure, deadly intrigue, and gleeful romance are some of the most obvious examples of what we’re looking for, but we won’t say no to more subtle or complicated topics, as long as they fit under the wider “fun” umbrella.” They’re open September 15th through October 15th 2024 for their February issue; the first week of submissions (Sept 15-21) is reserved for writers of color. They pay $0.03/word for stories up to 5,000 words.
Event
For this reading period, they want submissions of fiction and poetry only from any Canadian citizen or resident. For the current reading period, “We are particularly encouraging submissions from self-identified BIPOC (Black, Indigenous and People of Colour) Canadian writers, whose communities are historically underrepresented.” Length guidelines are up to 5,000 words for fiction, and up to 8 poems. Pay is CAD40/page for poetry and CAD35/page for prose, up to CAD500, and the deadline is 30 September 2024. They are also open for a nonfiction contest, which has an entry fee. Details here and here.
The Missing Slate (TMS)
This bi-annual magazine is opens for submissions twice every year. They are currently open to submissions till October 15th. They are seeking work on the theme “Crumble”. On their website they state, “TMS supports the work of people from marginalized communities. All work coming from a place of oppression is welcome to be heard in this shared and safe space, but the core and editorial team hold all rights to upholds filter discrimination of any form, ensuring a safe, fair, and inclusive environment for contributors and all individuals.”
AURORE
This publications tagline is “a curated collection of erotic stories written by and for women and LGBTQ+ based on their own experiences”. They publish nonfiction erotica and their website is NSFW, please do not visit it if you are under 18.
ALOCASIA
A journal of queer plant-based writing. They accept submissions on a rolling basis.
Heaven Magazine
They are interested in publishing fiction, creative non fiction, flash, and poetry by all underrepresented creators.
Sinister Wisdom
A multicultural Lesbian Literary & Art Journal. Founded in 1976 this literary journal is always open to submissions.
Saffron City Press
Saffron City Press is an online literary journal dedicated to amplifying the voices of Middle Eastern and Middle Eastern-American writers.
Plentitude
They want submissions from LGBTQ2S+ writers only; their Submittable has separate submission slots for Canadian and international writers. Every genre has a monthly submission cap. Pay is CAD60 per poem, CAD125 per prose contribution (fiction and creative nonfiction), CAD100 for book reviews and Genre Bender (hybrid) submissions. Currently, are only open for Canadian LGBTQ2S+ writers. Details here and here.
Canto Cutie: Childhood, youth, and experiences in school
Canto Cutie publishes the work of Cantonese writers and artists and the Diaspora. They want writing and art for Volume 8, which “will be about childhood, youth, and experiences in school. We are looking for work about growing up and adolescence.” They also say, “submissions are conducted primarily in English. Cantonese language art and writing are accepted and encouraged. Anonymous submissions are permitted for politically sensitive works.” Submissions are open until filled. Details here and here.
Arcanum Magazine
Arcanum Magazine is a digital and print magazine for creative writing, visual art, cultural criticism, and journalism by and for the Black diaspora. They are a paying market that is open on a rolling basis to creative writing, cultural criticism, news, and journalism, as well as visual art.
Midnight & Indigo
They only accept work by Black women writers – speculative fiction, character-driven fiction, and essays. They pay $0.07/word for general and speculative fiction, and $100 for essays. They have rolling submissions for speculative fiction, and have deadlines for general fiction and essays. They’re also reading for a themed Music issue, and the deadline for that is 30 September 2024. Details here and here
Decolonial Passage
According to their website they “publish writing from writers of all backgrounds regardless of race, origin, or gender while simultaneously centering African, African American, and Black Diaspora writing.” Their mission statement goes into more details about this. They are open on a rolling basis to essays, creative nonfiction, short stories, and flash fiction. They are open to poetry only during the months of January, March, May, July, September or November.
Bookish Brews
They describe themselves as a “book blog and a celebration of diverse books and authors (with a side of your favorite brew)”. They prioritize BIPOC writers but are open to submissions from other historically underrepresented groups also. They publish nonfiction, craft, and lifestyle essays as well as book reviews.
Mayday: Black
For Mayday: Black submissions, they want nonfiction pitches and drafts from Black writers – their website says, they are “committed to delivering a new experience for Black writers, including those seeking first-time publication. We welcome nonfiction work in opinions and analyses; personal, braided, and reported essays in contemporary and historical contexts. Bring your authentic, curious, courageous, well-rounded stories on life, living, love, loss, representation, race, racism, death, dying, Black plight and civil rights, neighborhood blight, gentrification, white flight, and more. (In no way is this an exhaustive list!)” They pay $50 for Mayday: Black essays of 800-3,000 words. Details here and here. (This magazine also occasionally accepts fiction, nonfiction, culture pieces, poetry, reviews, interviews, and translations from all writers, and pays $10-20 for these.)
Moko Magazine
A journal of Caribbean arts and literature, Moko publishes short stories, poems, interviews, essays, reviews of books, art, photography, and other types of visual media about the Caribbean and its diaspora. They are not interested in academic pieces.
Zindabad Zine
This print and electronic publication is based in the UK. They are open to submissions on a rolling basis. Currently they are closed to submissions for the print issue but open to electronic ones. They only accept work from people “in a diaspora”. They publish personal essays, articles, poetry, fiction, visual art and photography.
The Kalahari Review
A weekly African literary magazine interested in material exploring modern Africa and Africans in unique and avant-garde ways. They publish their work on Medium.
Transition
Born in Africa and bred in the diaspora, Transition is a publication of the Hutchins Center at Harvard University, published three times annually. Transition publishes writing by and about Africa and the African diaspora, with an eye towards a global perspective. They accept submissions year-round on a rolling basis, and generally respond to submissions within four months. They are currently looking for submissions on the ‘Solidarities’ theme (see guidelines), as well as unthemed work.
Lavender Review
An international, biannual e-zine published in June and December, they are open to submissions of poetry and art by, about, and for lesbians (including whatever LGBTQ might appeal to a lesbian readership). Submissions are open year round.
Ricepaper
This publication offers Asian Canadian context to ongoing arts and cultural issues, new perspectives on emerging and established Asian Canadian artists, and challenges mainstream media perspectives, little-known facts of interest, or critical stories that haven’t been told elsewhere. They are open to submissions from Asian writers around the globe as long as the editors can see a link between the content and some aspect of the Asian Canadian experience.
Raising Mothers
Raising Mothers celebrates and centers the experiences of Black, Indigenous, and Brown parents. Some sections have reading periods; columns are open year-round.
Prismatica Magazine
An LGBTQ fantasy and science fiction magazine that publishes short stories, poetry, reviews, interviews, and articles. They have very specific submission guidelines so please read those carefully.
African Writer
They are open to all genres of literature from Africa and the African Diaspora. They do not allow simultaneous submissions.
Afritondo
According to their website, “Afritondo is a media and publishing platform that aims to connect with and tell the stories of Africans and black minority populations across the globe.” They accept a wide range of work, including manuscript-length work.
Brittle Paper
Brittle Paper is an online literary magazine for readers of African Literature. They accept the following: “fiction, poetry, creative non-fiction, book reviews, essays, literary commentaries, fun listicles, and any writing with a literary bent”.
Torch Literary Arts
Torch Literary Arts is a nonprofit organization. They publish and promote creative writing by Black women only; you can read more about them here. They publish contemporary writing by experienced and emerging writers. “We are interested in work that challenges and disrupts preconceived notions of what Black women’s contemporary writing should be.” General submissions are accepted for Friday Features only, in which they publish fiction, hybrid works, poetry, and drama (including that accompanied by video or dramatic audio). Send up to 2,500 for fiction/hybrid works, up to 10 pages for drama, or up to 5 poems. Pay is $150. Submissions are accepted on an ongoing basis; you can submit here.
Tagg Magazine
Tagg is a US-based queer women’s publication. Their website has several themes they accept articles on, including personal essays, listicles, dating advice and fashion-related content. Articles are 350-1,000 words long and pay $75-175. They welcome pitches for article ideas. See the pitch guide for contributors here.
Bi Women Quarterly
BWQ features the voices of women “with bi+ sexualities (i.e., bi, pan, fluid, and other non-binary sexualities)” and they see “woman” as a broad category and welcome contributions those who identify as trans, non-binary, cis, etc. They publish articles, creative writing, musings, and more.
KOENING ZINE
They publish art, fiction, poetry, and creative nonfiction submissions primarily by Asians, but they are open to submissions from non-Asians. Their uniting theme is Asian Folklore. Submitters must be over 18.
POETRY SANGO-OTA
We only usually include journals currently open to submissions, but this list is always published on the third Thursday of a given month, and this journal is only open to submissions through the 1st to the 10th of each month, so we are listing it and encouraging you to set a calendar alert for when it reopens on the 1st of the next month. “We are interested in poems with a keen connection to a sense of place, nature, or otherworldly geographies.” They only publish African poets, and pay N2,500 per poem.
Reappropriate
Reappropriate is an Asian American and Pacific Islander (AAPI) race advocacy and feminism blog, focusing on race, gender, identity, Asian American history, and current events. Pay is $75-150 for work of 800-2,500 words.
The Gay & Lesbian Review
The Gay & Lesbian Review is a bimonthly magazine of history, culture, and politics targeting an educated readership of LGBT people, and their allies that publishes themed features (2,000-4,000 words), reviews, interviews, and departments. They have announced a few themed calls, and they also invite suggestions for future themes.
- The Gossip Issue: Unearthed scandals of the past
- The State of LGBT Rights: What’s next for the movement?
- The Travel Issue: The role of travel in LGBT culture
Writers can send proposals or complete pieces. They pay for features ($250) and full-length book reviews ($100).
The Acentos Review
The Acentos Review publishes writing, art, music and multigenre work by Latinx writers. They are open to submissions all year long. Details here.
Craft
This respected literary journal is open to creative work from authors of all backgrounds, but they offer free submissions + fast response times to BIPOC and other mis- and underrepresented writers, here. Craft pays $100 for flash and $200 for short fiction and creative nonfiction.
Aloka
They want work by non-native English speakers only – poetry, translations, fiction, and hybrid work. Send up to 5 poems, or up to 2 prose pieces, up to 2,500 words each.
The Lighthouse / Black Girl Projects
The tagline of The Lighthouse is, “Cultivating spaces of solidarity and safety for southern Black girls to shine through focused programming and research.” They have an extensive guide for pitching articles, including “We … are always looking for thought-provoking stories and other content from marginalized communities, Black girls, (in particular, but not exclusively) and gender non-conforming people. In addition to story and long-form story pitches and op-eds, they accept photography and original artwork for their online blogging platform, The Black Girl Times, and their monthly newsletter, The Black Girl Times Redux. Also, “Each month, we have an editorial theme board (kind of like the mood boards interior designers use) we post on our social media accounts (@luvblkgrls). The theme board is intended to be an inspiration and provocation of thoughts, ideas and feelings. Your response(s) can be literal or abstract and loose. And again, it might not have anything to do with anything we’ve seen.” Pay is $0.25-$1/word. Pay for art (graphic design, cartoons and photo essays) is $150-1,000.
Singapore Unbound: SUSPECT
Their website says, “SUSPECT grew out of SP Blog, the blog of the NYC-based literary non-profit Singapore Unbound.” They want poetry, literary fiction, essays, and any kind of writings that do not fall into these categories, written or translated into English by authors who identify as Asian. They also publish reviews of books by Asian authors and interviews with Asian writers and artists. Pay is $100, and there is no deadline listed.
Breath & Shadow
Breath & Shadow only publishes work from people with disabilities. This is how they define disability: “We use the term “disability” broadly to encompass anyone with a physical, mental, emotional, cognitive, or sensory impairment that significantly affects one or more major life functions.” They accept writing on any topic in terms of poetry, fiction, creative nonfiction and drama. Pieces do not have to be about disability. The academic or article type nonfiction, including profiles, interviews, and opinion pieces, do have to relate to disability in some way. They pay $25 per poem (max 2) and $40 for prose.
Screen Door Review
They only publish work by individuals who are Southern and queer. You can learn more about how they define Southern here. They publish flash fiction and poetry.
Emergent Literary
An exciting new literary journal that accepts a wide range of submissions from Black and Brown authors.
LatinX Lit Audio Mag
LatinX Lit Mag is a safe space for literary work written by authors who identify as Latinx or Hispanic.
Presses/Anthologies
Workman Arts Literary Anthology
This is an anthology of fiction and poetry; the theme is rebellion. “We are calling on Canada-based writers with lived experience of mental health and addiction, to send us your stories, poems, daydreams, imaginings, and manifestos exploring all the things it can mean to rebel.” And, “We are especially interested in publishing writers who live at the intersection of mental illness and other marginalized identities …. We would love to prioritize writers who have experienced incarceration in the mental health system and/or the criminal justice system.” Please note, they will prioritize work by Workman Arts members. Length guidelines are up to 3,000 words for fiction, and up to 5 poems. Pay is CAD75, and the deadline is 14 October 2024.
Science Fiction is a Drag! And Fantasy is a Drag! Anthologies
For Science Fiction is a Drag, they want drag-themed SF stories from writers of the drag community; and for Fantasy is a Drag! anthology, they want drag-themed fantasy stories from people of the drag community. Pay is $50 for stories up to 10,000 words for both anthologies. The deadlines are 1 October for the SF anthology, and 1 December 2024 for the fantasy anthology. Details here (SF guidelines) and here (fantasy guidelines), and here (submission portal).
Hub City Press
This established and respected press seeks “new and extraordinary voices from the American South who have written well-crafted, high-quality works.” They currently are hosting a BIPOC Writers Open Call that ends on September 30th.
Phoenix
Phoenix is a new speculative imprint launched by Nigerian publisher Ouida Books in collaboration with Nnedi Okorafor and Lọlá Shónẹ́yìn. Phoenix is dedicated to publishing African speculative fiction and fantasy (Africanfuturism and Africanjujuism). You can learn more about it here.
The Black Lawrence Immigrant Writing Series
This opportunity, from Black Lawrence Press, is for immigrants living in the US – for manuscripts of fiction, nonfiction, poetry, and hybrid writing. “Poets and authors, at any stage of their careers, who identify as immigrants are welcome to submit a book manuscript of poetry or prose or a hybrid text for consideration. Submissions are accepted year-round. However, selections are made in June and November for a total of two books per year. In addition to publication, marketing, and a standard royalties contract from Black Lawrence Press, authors chosen for the Black Lawrence Immigrant Writing Series will receive a travel stipend of $500, which can be used for book tours or in any manner chosen by the authors.”
North Dakota State University Press: Contemporary Voices of Indigenous Peoples Series
The goal of this series to feature the authentic stories, poetry, and scholarly works of Native Americans, First Nations, Maori, Aborigines, Indians, and more to give voice to contemporary Indigenous peoples. NDSU Press considers book-length manuscripts of fiction, nonfiction, and poetry for publication in this series.
Random House Canada
The Canadian arm of Random House changed their submission policy have opened their policy exclusively to LGBTQIA2S+ and BIPOC writers, as well as those from other traditionally underrepresented communities. They are particularly looking for “High quality commercial fiction in the following genres: literary, romance, speculative fiction, historical fiction, and mystery. Please note that we do not currently accept screenplays, stage plays, young adult fiction, children’s fiction, or picture book queries. All non-fiction submissions must be submitted via a literary agent.” They are open to submissions internationally, this is not limited to Canadians.
Somos en escrito Literary Foundation Press
They publish a literary magazine as well as books, they are “dedicated to publishing raza authors to express the narratives and needs of our communities, which typically get overlooked by the mainstream presses. We intend to be the institution nobody else will build for us.”
Tundra Books, Puffin Canada, Penguin Teen Canada
These children and teen focused Canadian imprints are open to direct submissions by underrepresented authors and illustrators only. Authors need not be Canadian.
Arsenal Pulp Press
A Canadian independent press that publishes a wide variety of work, prioritizes work by LGBTQ+ and BIPOC authors. We have reviewed them here.
Blind Eye Books
Blind Eye Books publishes science fiction, fantasy, mystery, and romance novels featuring LGBTQ protagonists. They are a print publisher and their book covers are beautifully designed and really stand out. The books they have published have won and been nominated for a number of awards, including the Lambda. We have reviewed them here.
Lily
A small poetry press that publishes work of varying length. Submitting shorter work is free for everyone, but submitting poetry manuscripts is free only for poets who identify as Black. They are always open to these submissions.
Sourcebooks
We’ve reviewed Sourcebooks here, and their adult nonfiction imprint and their romance and horror imprints are always open to all submissions, but they also deserve to be on this list because their fiction imprint, their mystery imprint, their young adult imprint, and three of their children’s book imprints, all say “Our submissions are currently CLOSED to unagented projects, with the exception of works that directly promote diversity, equality and inclusion. For more information please email InclusiveFiction@Sourcebooks.com.” So if you have work that matches that description in those genres, please reach out to them.
Forever
The romance imprint of Hachette Book Group and Grand Central Publishing is open to direct submissions from BIPOC-identifying authors.
Angry Robot
A great science fiction publisher that only accepts direct submissions from Black authors.
Scholastic Canada
They are open to direct submissions from Canadian authors or focusing on Canadian content, who are from underrepresented communities, including Black writers, Indigenous writers, writers of colour, writers with disabilities, LGBTQIA2S+ writers and writers who identify with other marginalized groups.
Heartdrum
Heartdrum is an imprint of HarperCollins Children’s Books, which is edited by Cynthia Leitich Smith, and is in partnership with We Need Diverse Books. Native and First Nations writers and writer-illustrators are welcome to query her directly via a form on her website. Native and First Nations illustrators are also invited to reach out.
Opportunities/Support/Contest
Miles Morland Foundation Writing Scholarship
This is for published fiction and non-fiction writers who were born in Africa or whose parents were born in Africa (see ‘Do I need to prove my African birth place?’ in FAQ). The money is paid monthly over a course of a year. For non-fiction writers, additional funds can be made available, and given over a period of 18 months. A published writing sample is part of the application (see guidelines). One of the scholarship requirements is, writers have to submit 10,000 words of writing every month (see guidelines). They also say, “The Foundation will not review or comment on the monthly submissions as they come in. However, each Scholar will be offered the opportunity to be mentored by an established author or publisher. In most cases the mentorship will begin after the book has been finished and the Scholarship period has ended.” And, “Scholars are also asked to donate to the MMF 20% of whatever they subsequently receive from the book they write during the period of their Scholarship. … These funds will be used to support other promising writers. The 20% return obligation should be considered a debt of honour rather than a legally binding obligation.” They offer £18,000 for fiction writers, possible additional funds for non-fiction writers, and mentorship. The deadline is 20 September 2024 (see ‘Important Dates’ in the entry requirements here.) Details here (entry requirements) and here (application form).
Speculative Literature Foundation: Working Class Writers Grant
This is an international grant is to help writers of speculative literature, and will open to applications on 1st September. This grant is awarded annually to assist working class, blue-collar, poor, and homeless writers, and writers from these backgrounds, who have been historically underrepresented in speculative fiction due to financial barriers. One of the submission requirements is a writing sample of poetry, drama, fiction, or creative non-fiction (see guidelines); the submitted work must be speculative. Unlike their other grants, writers may receive this grant anonymously or pseudonymously. They also have other grant submission periods coming up. The grant is $1,000, and the deadline to apply is 30th September 2024. Details here (Working Class Writers Grant) and here (schedule for all grants).
Horror Writers Association Scholarships
These scholarships offer various amounts for assisting authors in professional development as horror writers. There are various amounts and requirements. The Mary Wollstonecraft Shelly scholarship, worth $2,500, is for writers who identify as women, and the Horror Writers Association scholarship, worth $2,500, is for all writers (no membership necessary). They also have Diversity Grants, worth $500 each, which “will be open to underrepresented, diverse people who have an interest in the horror writing genre, including, but not limited to writers, editors, reviewers, and library workers. … the Diversity Grants have adopted the broadest definition of the word diversity to include, but not limited to, gender, gender identity, race, ethnicity, sexual orientation, disabled, and neurodiverse.” There is also the Dark Poetry Scholarship, the Rocky Wood Memorial Scholarship for Nonfiction Writing, the Dennis Etchison Young Writers Scholarship, and Young Adults Write Now endowment program for libraries. The funds can be used for various things like course fees, resources like textbooks and guides, subscriptions for appropriate periodicals, and registration fees for relevant literary festivals. Barring the Scholarship from Hell (for StokerCon), all the grants opened for application on 1 August 2024. The deadline is 1 October 2024. Details here.
(The HWA is also open for the Bram Stoker Award for published works in various categories, including anthology, collection, first novel, graphic novel, long fiction and nonfiction, novel, poetry collection, screenplay, and more. The deadline is 31 December 2024 – see guidelines).
One Story: Adina Talve-Goodman Fellowship
This is for an early-career writer of fiction who has not yet published a book and is not currently nor has ever been enrolled in an advanced degree program – see guidelines. “We are seeking writers whose work speaks to issues and experiences related to inhabiting bodies of difference. This means writing that centers, celebrates, or reclaims being marginalized through the lens of race, ethnicity, gender, sexuality, class, religion, illness, disability, trauma, migration, displacement, dispossession, or imprisonment.” Apart from the $2,000 stipend and tuition to attend One Story’s week-long summer writers’ conference, it offers free tuition for all One Story online classes and programming; a full manuscript review & consultation with One Story Executive Editor Hannah Tinti (story collection or novel in progress up to 150 pages/35,000 words). A fiction writing sample of 3,000-5,000 words is part of the submission requirement. The deadline is 9 October 2024. Details here. And, One Story magazine will open to fiction submissions in the Fall from all writers; see here. Also see their One Teen Story Teen Writing Contest, which will open soon; see the announcement here.
The Commonwealth Short Story Prize
This is a contest for writers from the Commonwealth, see the list of eligible countries here – send a piece of unpublished short fiction, in any genre, of 2,000-5,000 words. They take entries in several languages apart from English, as well as translated stories. The top prize is £5,000, regional prizes are £2,500. The deadline is 1 November 2024. Details here.
Quarterly West Poetry and Prose Contests
Though this contest is not open yet, we are adding it because of the way their deadlines are structured. Submissions for this poetry and prose (all prose: fiction, non-fiction, hybrid work, and texts that defy categorization) contest will be fee-free for all writers when the contest opens, on 1st and 2nd of October; after that, they have a fee-free submission option for writers of color through the submission period, which runs until 1st November 2024 for poetry, and until a submission cap is reached, for prose. There is a first and a second prize for both poetry and prose categories. The prizes are $500 and $200 each, for poetry and prose. Details here and here.
(Quarterly West Magazine is also open to submissions of new media, translations, and book reviews year round – there’s no cash payment for these.)
Poetic Justice Institute: Editor’s Prize for BIPOC writers
This is a prize for a poetry manuscript. While there is a submission fee for the general category, there is no fee for BIPOC writers. The suggested manuscript length is 50-100 pages (approximate). Apart from the cash prize, the winning volume will be published by Fordham Press. The award is $1,000, and publication. The deadline is 15 October 2024. Details here and here.
Latino Voices in Children’s Literature Writing Contest
This new contest is sponsored by Free Spirit Publishing and Con Todo Press. This contest will close to submissions on October 14, 2024. The contest’s mission is to elevate authentic, culturally relevant children’s stories written by and about Latino people. The contest is open to Latino authors who are at least 18 years of age or older and residing anywhere in the United States. Three cash prizes will be awarded.
Submissions should meet these qualifications:
• Must be original children’s books for ages 0–4 (50–125 words) or for ages 4–8 (300–800 words)
• Must feature authentic, realistic Latino characters and culture
• Must focus on one or more of the following topics: resilience, character development, self-esteem, identity, diversity, getting along with others, engaging with family and community, traditions, or other topics related to positive childhood development
• Must be written either in English or in bilingual English-Spanish
Queer Adventurers 2024 Essay Contest: Border Crossings
This annual contest always has a theme and in 2024 it is Border Crossings. They say “Tell us about an international journey that changed your life. Write about how sexuality and gender identity impact your ability to cross borders freely. Interpret the theme metaphorically and tell us how your gender expression or sexuality transgresses borders.”
They also make it clear that all submissions must centre both the theme and the writers sexuality or gender identity. Stories must be true and written by an LGBTQIA author without the assistance of AI.
Authors of winning and second place essays receive cash prizes. Winner, runner up and finalists will have their essays published on Queer Adventurers. The deadline is October 31, 2024.
Curtis Brown Creatives: Scholarship Opportunities
Curtis Brown Creatives regularly offers scholarships for their courses. Some are London based and some are online. Right now they have four scholarships with an approaching deadline. The first is Breakthrough Scholarship for Fantasy Writers with Low Income, with a deadline of September 22. The second is the Breakthrough Scholarship for Memoir & Narrative Non-Fiction Writers with Low Income, which also closes to applicants on September 22. The third scholarship is the Breakthrough YA & Children’s Fiction Scholarship for Writers of Colour. This scholarship will award one writer of colour with limited financial means a place on their online three-month Writing YA & Children’s Fiction course. The deadline is October 6th. There’s also a Breakthrough Scholarship for TV Screenwriters with Low Income, with a deadline of 20th October. Additional eligibility details are on the website.
The Academy of American Poets: Literary Seminars
These new seminars from the Academy are taught by respected experts. Scholarships are available with varying deadlines, the nearest upcoming deadline is September 30th. Click on the individual course offerings to learn more.
Society of Authors: Dursilla Harvey Access Fund
These are small grants for UK-based/British writers, giving authors support for travel, subsistence, childcare or access needs for events, residencies, and retreats. “Usual grants will be £150 or less, but fair consideration will be given to all proposals.” Applications are accepted on a rolling basis. (Society of Authors also has awards for works in progress as well as contingency funds – all their grants are here.)
The Writing Barn Scholarship
The Writing Barn has a small but budding scholarship program available for our programming. Scholarships are awarded on the following criteria: seriousness of purpose, talent and financial need. They also offer specific Diversity, Inclusion, and Equity scholarships for BIPOC, LGBTQIA+, Neurodiverse writers, and writers with disabilities.
Forward Funds: Creative Capital x Skoll Foundation Creator Fund
The crowdsourcing platform for creatives, Kickstarter, now has Forward Funds. Their website says, “Forward Funders are foundations, nonprofits, and organizations that back Kickstarter campaigns related to their visions and missions around a more creative and equitable world. Each Forward Funder makes a public commitment and then backs projects just like anyone else—through single pledges that bring the works one step closer to reality.” One such fund is the $500,000 Creative Capital x Skoll Foundation Fund. This backs projects by Asian, Black, Indigenous, and Latinx creators in the US on the crowdfunding platform – “Effective immediately, funds will be awarded on an ongoing basis to creators with active projects across all of Kickstarter’s categories: Arts, Comics & Illustration, Design & Tech, Film, Food & Craft, Games, Music, and Publishing.” Projects launched on Kickstarter following their rules are eligible, and creators can nominate themselves for specific Forward Funds via a form. This is for both, creators and organizations.
BIPOC scholarship for Emily Harstone’s classes at The Writer’s Workshop at Authors Publish
Each time Emily Harstone offers a solo class through the Writer’s Workshop at Authors Publish, there is now an opportunity for one to two writers who identify as BIPOC to take it for free. If you registered last year, please note that the form re-set in January, and you are encouraged to fill it out again.
Bio: S. Kalekar is the pseudonym of a regular contributor to this magazine. She can be reached here.
