Special Feature

Finding Productive Space for Writing

By Tina Jenkins Bell                      Last summer as I worked on the edits for the last few sections of my novel, I needed an alternative to my home office–sans environmental distractions and personal interruptions, like “baby, would yous” from my husband–as I dashed toward ‘The End’. I knew I needed to find a spot suitable for…
Issue Two Hundred Seventy Nine Special Feature

10 Paying Markets for Translators

September is National Translation Month in the United States. To celebrate, here is a list of markets that pay for translations of fiction, nonfiction, and poetry – all of these are currently open for submissions. Most of these journals or magazines also pay for original work in English. Also see National Translation Month website, which…
Issue Two Hundred Seventy Eight Special Feature

4 Things Writers Need To Know About Author Readings

— Written by Lev Raphael I’ve done hundreds of invited talks and readings on three different continents and I love being out there with my writing—it’s a dream come true. But even though I’m an extrovert, I found doing readings more challenging than I expected when I started out touring twenty-five books ago. I’d had…
Issue Two Hundred Seventy Seven Special Feature

Thirteen Famous Authors Who Were Rejected

One of the ways I comfort myself when I face yet another rejection letter is to think about the number of rejection letters J.K. Rowling received while she was attempting to publish Harry Potter. I also think of the five years Agatha Christie spent trying to get her first novel published. I have not spent…
Issue Two Hundred Eighty Special Feature

Boost Your Profile and Sales with a Podcast Tour

By Jen Kolic  Are you looking for new ways to expand your reach and find new fans? Even if the answer is yes, chances are you don’t have the time, money, and energy to start building an audience from scratch on a brand new platform. If that’s the case, a podcast tour may be just…
Issue Two Hundred Seventy Six Special Feature

How to Promote Your Poetry Without Paying A Penny

Many writers ask me this question all the time: “How do you promote your poetry without paying anyone?” There is more then one answer to this question, but it mostly comes back to hard work. In my experience, outside of paying to enter contests, it is very easy to promote one’s work for free. Here…
Issue Two Hundred Seventy Five Special Feature

Where to Write

Written by Geary Smith Several years ago, while vacationing with the family in Key West, Florida, I can remember looking up at the home of Ernest Hemingway, especially, the small window that looked out over the Atlantic Ocean. I thought about Ernest Hemingway sitting in his chair and in his favorite place. As I took…
Issue Two Hundred Seventy Four Special Feature

How to Make Time for Writing

“All writers have this vague hope that the elves will come in the night and finish any stories.” ― Neil Gaiman Time for writing doesn’t make itself. This might seem like a ridiculously obvious statement, yet it is a trap writers fall into all the time, myself included. If you have a good writing habit…
Issue One Hundred Seventy Three Issue Two Hundred Seventy Three Special Feature

How to Handle an Elevator Pitch

by Wendy S. Delmater Imagine you’re sharing an elevator with your dream editor, and have the length of the ride to interest them in your book. That’s the scenario behind the idea of an “elevator pitch.” You have to be able to interest the editor in a very brief period of time, to hook them…
Issue Two Hundred Seventy Two Special Feature

How a Kitchen Timer Made Me a Better Writer

By John Dorroh One day in December while administering fall exams to my high school science students, a friend dropped by the school to leave me a gift before she traveled home for the holidays. (That was a different time, when visitors were welcomed into the schools without a pat-down.) The gift was a book…
Issue Two Hundred Seventy One Special Feature

11 Literary Journals that Accept Prose Poetry

– By Stephanie Katz Prose poetry blurs the lines between genres by looking like prose, but sounding like poetry. While there is no set structure for the prose poem, many are written as single paragraph of prose finished by a few lines of poignant verse, and they often make good use of alliteration, assonance, repetition,…
Issue Two Hundred Seventy Special Feature

How to Write a Novel Synopsis

by Wendy S. Delmater There’s been a lot written on the subject of writing a synopsis, and I may suggest doing certain things a little differently, but the experts all agree on one thing: finish the book first. So. Are we done writing the book? Good. Now how do you boil down from 70K to…
Issue Two Hundred Sixty Nine Special Feature

4 Ways to Increase Your Chances of Getting Your Poetry Published

By John Dorroh I wrote my first full-length novel when I was 22 and received at least that many rejections before I put it to bed forever. Last summer, 40 years later, I pulled it out of the bottom of a moldy cardboard box, cleaned it off and read it. My hats off to the…
Issue Two Hundred Sixty Seven Special Feature

Grants Are Your Friend: Building Your Artist Portfolio

By Patrick Parr From the years 2002-2013, I’d published a dozen stories in various genres. The amount of money I’d earned from them turns out to be a whopping 370 dollars. That’s around 30 dollars a year. Now, perhaps you think that should be expected. After all, pay rates and the short story market, particularly…
Issue Two Hundred Sixty Six Special Feature

What Does Being Published for the First Time Mean?

By Ben Graff Holding a copy of your own book, for the first time, is something to savor. The sheen of the cover, the smell of the paper, being able to say I made this. It is both a beginning and an ending of sorts. How do we best evaluate this staging point in the…
Issue Two Hundred Sixty Five Special Feature

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