Special Feature

Announcing the Second Recipient of the Authors Publish Fund for Literary Journals

Earlier this month we made an announcement of a new fund for literary journals. You can learn all about this fund here. We selected the recipient of the fund using a random number generator. We are happy to announce that Arsenika is the second receipt of our fund and will receive 150 (US) dollars. Arsenika…
Issue Three Hundred Eighty Eight Special Feature The Authors Publish Fund for Literary Journals

How to Negotiate Your Way Out of a Publishing Contract

By Dawn Carrington As disappointing as it can be, sometimes the relationship between authors and publishers can sour. Maybe you’re not happy with the way the company is being run or the way you’re being treated. You’ve decided you want to leave, but it’s not that easy since you’ve signed an enforceable contract. That doesn’t…
Issue Three Hundred Eighty Seven Special Feature

The Problem with Mass Submissions

I’ve touched on this issue before in all my books on submitting, both in terms of literary journals and manuscript publishers, but I’ve never focused an entire article on it before. Mass submitting is a term used to describe when an author, or a company working on an author’s behalf, submits their work to a…
Issue Three Hundred Eighty Seven Special Feature

Assessing a Publisher’s First Contract: 3 Ways to Know if it’s the Right One For You

Dawn Carrington Receiving an offer of publication is an exciting time for an author. Maybe this is your first one, and you’re eager to sign and get the process underway. Before you do that, consider that you and your book could potentially be with this publisher anywhere from three to seven years as that is…
Issue Three Hundred Eighty Six Special Feature

10 Literary Magazines Accepting Hybrid Submissions

These literary magazines accept submissions of hybrid or cross-genre submissions of fiction, non-fiction, and poetry. They’re accepting submissions now, and are listed here in no particular order. Some of them pay writers. Bending GenresThis magazine publishes flash fiction, creative nonfiction, and poetry, and they like work in all categories that blends genres. Details here. The…
Issue Three Hundred Eighty Five Special Feature

How to Evaluate and Use Feedback From Agents, Editors, and Other Writers

Adele Annesi Among the most agonizing aspects of being a writer is getting feedback, especially if it’s unexpected or negative. Equally difficult is analyzing comments in order to decide which to use, how to implement what we accept (when we can choose), and what to do with what we put aside. To use feedback from…
Issue Three Hundred Eighty Five Special Feature

5 Paying Literary Markets to Submit to in October 2020

These markets pay for submissions of fiction, nonfiction, and poetry. They’re a mix of literary and genre markets, and are open for submissions in October. Translunar Travelers LoungeThe editors of this speculative fiction magazine want fun stories. Their guidelines say, “A fun story, at its core, is one that works on the premise that things…
Calls for Submissions Issue Three Hundred Eighty Four Special Feature

Warning Signs: How to Avoid Submitting Your Work to the Wrong Publisher

This article is all about how to avoid signing a book contract with the wrong publisher. It is hard to find good publishers, and it involves a lot of research just to find a legitimate publisher that accepts work if you do not have an agent. However, there are great options out there, particularly for…
Issue Three Hundred Eighty Four Special Feature

The Most Common Mistake Writers Make When First Submitting to Publishers

There is one mistake that most authors make when submitting their work to literary journals and magazines for the first time. It is a mistake I made when I first started submitting work. It is a mistake that most of the serious authors I know made. What is that mistake? Is it a terrible cover…
Issue Three Hundred Eighty Two Special Feature

Hiring and Firing Actors for My Novels

By Mark Marderosian When beginning my first draft, I can hear the characters relating their adventure to me and I type away furiously with no qualms about typos or spelling.  After the initial draft is when the fun work begins. I picture for the first time that I’m now hiring actors to play the roles…
Issue Three Hundred Eighty One Special Feature

Writing Effective Dialogue: 5 Things to Keep in Mind

By Annmarie McQueen Dialogue is an incredibly important part of storytelling, and yet one of the things many writers struggle with the most. Having characters interact with each other is a key way for information to be revealed, plots to be moved along and things to happen. Dialogue is something you need to get right…
Issue Three Hundred Seventy Nine Special Feature

The Authors Publish Fund for Literary Journals

Since the Coronovirus pandemic started, a lot of literary journals have been under more stress than ever. Academic journals lost organizers and funding, and a number of wonderful journals went under, for financial reasons, or logistical restraints. Many journals switched over to charging fees for submissions and the ones that remained fee-free were slammed with…
Issue Three Hundred Eighty One Issue Three Hundred Eighty Three Special Feature

What to Say to Bad Writing

by Janice R. Torres I was recently asked by a good friend of mine to take a look at their writing and let them know what I thought. I had never read any of their work before, having met them through a freelancer’s meet and greet, but I wanted to be supportive. So, I agreed…
Issue Three Hundred Seventy Seven Special Feature

6 Ways to Increase Your Confidence as a Writer

By Chikodi Olasode A writer’s journey is all about ups and downs, and how you weather the downs can make a real difference. Most writers at some stage doubt themselves or their ability to write. Here, I share some tips that might boost your confidence. 1.  AffirmationI’ve seen writers cringe when asked what their occupation…
Issue Three Hundred Seventy Six Special Feature

The Bio as Self-Advertisement

By Michael J. Moore In a seemingly endless pool of literature, where it can be difficult for even the most talented authors to distinguish themselves, publicity must be sought, and acquired without authors having to pay for it. You can do this by learning to view your bio (usually a 50-100 word description of yourself…
Issue Three Hundred Seventy Four Special Feature Uncategorized

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